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Marcus Intalex’s ’21′ Album is incoming….

Marcus Intalex’s ’21′ Album is incoming….

Posted 16 February 2011 | By | Categories: news, tracks, video | No Comments

For over two decades, no one had pushed the legacy of bass culture like the stalwart for the deeper end of the spectrum, Marcus Intalex. And yet, despite his storied back catalog of scene-defining releases, genre-crossing remixes, and even a revolutionary LP with M.I.S.T. and calibre (as Mist:ical), the music world has never been graced with a solo album from the innovator himself. Until now, 21 years in.

Since 1990, whether DJing, promoting events (including his Soul:ution nights), radio shows, working in record shops, or running his two historic record labels, Marcus Intalex has always had his hand in music, working his way from being the assistant sweeping the back room of vinyl shops, to being the DJ in front of 50,000 people. Since bright beginnings DJing in Manchester’s underground, and his incomparable first productions with ST Files, even from the outset there was something about Intalex that refused to fit in a comfortable box. It’s a notion that’s followed his every move as a bold A&R visionary, being the first label to sign genre-challengers such as Martyn, Instra:mental and Calibre. Perhaps it can all be traced back to his early days in Manchester, when electronic music was too new to even have boxes or set genres.


Marcus Intalex

In the 80′s, I was always into synth bands, I always liked the idea of synthesized music. When I started DJing, it was just at the start of the Chicago and Detroit sound. That was really my first love of electronic music, and I caught it at the right time. It was at the beginning, there was a buzz, and then obviously the whole rave scene developed. Seeing all of that happen, and going out to the Hacienda for the first time and hearing the DJs play this music that I’d never heard before…it was such an amazing introduction to it, I never lost the love for it.”

Forever bearing a strong alliance with techno, and coming from an upbringing when music defied descroptors, it seems only natural that now, fast forwarding to the present, Intalex would be drawn to the current sounds rumbling the bass circuit (the sounds that, likewise, fall into haphazardly constructed genres like “post-dubstep” or “future bass”). It also comes as vey little suprise that his productions would sway away from conformity, as seen in his most recent productions. His downtempo tracks are currently being championed by the beatseekers of the scene, such as Radio 1′s Benji B and Eglo’s Alexander Nut, Swamp 81′s leader Loefah, 3024 boss Martyn, Scuba, Oneman and 2562.

I’ve found alot of the new sounds are more me than anything, really. It’s influenced by everything I’ve been into for the 21 years, everything I’ve believed in – Techno, the earlier sounds of Drum & Bass, and it’s experimental. The balance in power shifted – not away from Drum & Bass, but almost away from commercial dance music. It’s a 130-140BPM tempo, and that’s all it is: a tempo; it’s an open script otherwise. It’s brilliant.

To Me, Drum & Bass is something that alot of people have ridden on success-wise, and now people have to work a little bit harder because the spotlight is elsewhere. And they are doing exactly that. There seems to be alot of innovative Drum & Bass music coming from alot of different angles and different parts of the world. It’s opened up a new appreciation for the subtelty in D&B. The deeper side has gotten more interesting than ever.

With his first long player, ’21′ is rightly trying to go its own way, regardless of expectation or reaction, just as Intalex has always done as an artist. The result is a wildly unpredictable, yet entirely cohesive, view of where Marcus Intalex stands now, after over 2 decades of watching cycles come and go, and sounds shift and mutate.

I do feel a tinge of regret for not doing this sooner, but I’ve never been one to do something just because it’s what you’re supposed to do. It’s not as though the whole 21 years has been building up to this moment, where I’ve been working to create a tour de force. It just so happens that right now, I’m making some music that I’m happy with; I’m enjoying the studio more than ever before.

The album’s not necessarily crying out to be noticed, and I haven’t done it with that in mind – It’s quite an introspective things, actually. I’ve had a great 21 years. Being in the business for so long, you would normally expect to feel like you’re entering the twilight of your careerm but really and truly I feel more ready for the future than I have ever felt before.

Marcus Intalex: 21 Years Mix by takako.music

Marcus Intalex
“21″

Tracklist:

01. Make A Raise (Ft. S.P.Y. & Ras Tweed)
02. Climbing Up The Wals (Ft. Lynx & Danny Fierce)
03. Meltdown 2012 (Ft. Calibre)
04. Hot Hands
05. Dusk
06. Celestial Navigation (Ft. S.P.Y.)
07. Paulista (Ft. S.P.Y.)
08. TB Or Not TB
09. Regrets (Ft. Riya)
10. Wacky Races
11. Strangeways (Ft. Zed Bias)

Due for release on CD / 3×12″ Vinyl in April.

A sampler containing two exclusive non-album tracks will be released on 7th March:
SOULR046

a) Triband – Marcus Intalex Ft. S.P.Y.
aa) Steady – Marcus Intalex

http://intalexlexlex.wordpress.com/
http://www.facebook.com/pages/Marcus-Intalex/157846708483
http://twitter.com/marcusintalex

label update: Blunted Robots

label update: Blunted Robots

Posted 17 November 2009 | By | Categories: news, tracks | No Comments

The follow up to his genre-fusing debut, No Charisma, sees Martin Kemp with his boney little fingers firmly on the weird switch. Best described as sounding ‘like Carl Craig making UK Funky’, our Martin is way darker than that bloke off Eastenders.

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DJs showing love include Alexander Nut, Joy Orbison, Zomby, Jackmaster, Ross Allen, Untold, Brodinski, Hessle Audio and Geiom.

OUT NOW on Blunted Robots:

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Mickey Pearce / Martin Kemp

A) Innami
AA) No Charisma

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Out now on 12″ Vinyl and 1-track Digital Download.

Blunted Robots say hello with a debut 12” from Mickey Pearce and Martin Kemp. Lurking somewhere between Garage, Dubstep and UK Funky, this record reps the musical landscape of 2009 in fine style. DJs showing love include Cooly G, Ramadanman, Jamie Vex’d, Headhunter, Bok Bok, µ-siq, Jackmaster and Mak 10

Coming Soon:

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Martin Kemp

A) After The Night

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AA) Aztec

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Due for release on 12″ Vinyl and Digital Download on 21st December 2009.

Links:
http://www.myspace.com/bluntedrobots
http://www.myspace.com/djshortstuff
http://www.myspace.com/brackles
http://www.myspace.com/themartinkemp

label update: Hemlock Recordings

label update: Hemlock Recordings

Posted 15 October 2009 | By | Categories: news, tracks, video | No Comments

London based ‘soulful bass music’ label Hemlock Recordings have very quickly earned their reputation as one of the most exciting electronic labels to emerge in recent years, showcasing the sounds of some new and interesting artists such as James Blake, Untold and Fantastic Mr Fox.
They pride themselves on releasing music in top quality packaging with lush design and are responsible for pushing very fresh and current sounds.

Coming soon on Hemlock:

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Untold
Gonna Work Out Fine EP

A) Gonna Work Out Fine

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B1) Stop What You’re Doing
B2) Don’t Know, Don’t Care
C) Palamino
D1) No One Likes A Smart-Arse
D2) Never Went Away

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After a prolific run of releases on Hotflush and Hessle Audio, Untold returns to his spiritual home to serve up two slabs of trademark ‘what the f**k?!’ bass music. Taking influences from US house, grime, jungle, techno and a whole load more. Wot u call it? As the tune says: ‘Don’t Know. Don’t Care.’

Big support for these tracks from the likes of Joe Nice, Alexander Nut, Bok Bok, Sinden, Gilles Peterson, Ben UFO, Ramadanman and many more.

Due to be released on 2×12″ Vinyl on 2nd November 2009.

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Untold
Stop What You’re Doing (James Blake Remix)

A) Untold – Stop What You’re Doing (James Blake Remix)

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AA) Untold – I Can’t Stop This Feeling (Pangaea Remix)

Hessle Audio co-owner Pangaea and 2009 newcomer James Blake deliver two wildly different but utterly sick remixes on a double A-sided 10”.

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James Blake proves why he’s one of the most exciting and promising new prospects in UK bass music right now. Taking the bare bones of the Untold original and creating a completely new lick, Blake throws in p-funk synths alongside chipmunk gospel vocals that relentlessly swell to an apocalyptic climax.

The most utterly next level piece of music I’ve heard in years” – Ben UFO (Hessle Audio)

Due to be released on 10″ Vinyl on 16th November 2009.

Links:
www.hemlockrecordings.co.uk
www.myspace.com/hemlocklondon
www.myspace.com/untolduk
www.myspace.com/jamesblakeproduction
www.myspace.com/fmfandreason