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	<title>STHoldings Ltd &#187; hotflush</title>
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	<link>http://www.stholdings.co.uk</link>
	<description>dubstep, drum n bass....electronic music distribution</description>
	<lastBuildDate>Wed, 08 Feb 2012 10:57:36 +0000</lastBuildDate>
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		<title>Scuba &#8220;Personality&#8221; LP [Hotflush Recordings]</title>
		<link>http://www.stholdings.co.uk/2012/01/17/scuba-personality-lp-hotflush-recordings/</link>
		<comments>http://www.stholdings.co.uk/2012/01/17/scuba-personality-lp-hotflush-recordings/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 11:01:35 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
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		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=4106</guid>
		<description><![CDATA[Scuba is the production and DJ alias of Paul Rose, the curator of Hotflush Recordings, a label, which having released some of the most important tracks of the formative period of dubstep, has grown into a leading player in the wider world of electronic music. A celebrated and influential DJ, Scuba was voted #25 in [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Scuba </strong>is the production and DJ alias of Paul Rose, the curator of <strong>Hotflush Recordings</strong>, a label, which having released some of the most important tracks of the formative period of dubstep, has grown into a leading player in the wider world of electronic music. A celebrated and influential DJ, Scuba was voted #25 in Resident Advisor’s 2011 poll of the world’s <strong>Top 100 DJs</strong> and has also been nominated for several categories in DJ Magazine’s Best of British 2011 Awards.</p>
<p>Earlier this year Scuba released his ‘<strong>Adrenalin</strong>’ EP, picking up radio plays from <strong>Zane Lowe, Annie Mac, Rob Da Bank</strong> as well as <strong>Mistajam</strong>, illustrating how his sound has mutated into previously unexplored areas. Alongside ‘Adrenalin, Scuba also released his addition to K7!’s DJ Kicks series which has made notable appearances on several &#8220;Best of 2011&#8243; lists.</p>
<p>On the <strong>27th February,</strong> Scuba will release his third album through Hotflush. Entitled ‘Personality’ and featuring 11 brand new tracks, it takes in a wealth of genres across contemporary dance music, proving once again Scuba’s place at the cutting edge of the electronic music scene. Preceding his LP will be ‘The Hope’; pushing on from the tense atmospherics of previous Scuba material, the single fizzes with claustrophobic bass pressure and menacing narration. Backed by an exclusive non-album cut &#8216;Flash Addict&#8217;, ‘The Hope’ will proceed the album on the 6th February.</p>
<p><img class="alignnone size-medium wp-image-4105" title="scuba_007" src="http://www.stholdings.co.uk/wp-content/uploads/2012/01/scuba_007-300x200.jpg" alt="" width="300" height="200" /><br />
<em>Paul Rose aka Scuba</em></p>
<p>Originally from London, Scuba relocated to Berlin in 2007, and released his debut album, &#8216;<strong>A Mutual Antipathy</strong>&#8216; in 2008. The stylistic synergy of the album cemented his position as one of the most forward-thinking producers to emerge from the London bass scene. In the same year, Scuba founded the massively successful <strong>SUB:STANCE </strong>night at the legendary Berlin club <strong>Berghain.</strong> SUB:STANCE has since launched in New York with a look to expanding further in 2012.</p>
<p>Scuba’s second album, &#8216;<strong>Triangulation&#8217;,</strong> was released on Hotflush in early 2010, joining the likes of <strong>Mount Kimbie, Sepalcure, Joy Orbison, Untold, Sigha and George Fitzgerald</strong> on its enviable roster.  With ‘Personality’ due for imminent release and plans for a live show in the works, Paul Rose&#8217;s constantly developing world seems set to keep on turning in 2012.</p>
<p><strong>Artist:</strong> Scuba<strong><br />
Title:</strong> Personality<strong><br />
Label: </strong>Hotflush Recordings<strong><br />
Release date:</strong> <span style="text-decoration: underline;">27th February 2012 <strong><br />
</strong></span><strong>Format:</strong> CD<strong> / </strong>LP / Digital<strong><br />
CD Barcode: </strong>5055317221681</p>
<p><strong>CD Tracklist:</strong><br />
01. Ignition Key<br />
02. Underbelly<br />
03. The Hope<br />
04. Dsy Chn<br />
05. July<br />
06. Action<br />
07.Cognitive Dissonance<br />
08. Gekko<br />
09. NE1BUTU<br />
10. Tulips<br />
11. If U Want</p>
<p>Vinyl &amp; Download format &amp; tracklist TBC</p>
<div>
<p><object width="380" height="380" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="wmode" value="opaque" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.mixcloud.com/media/swf/player/mixcloudLoader.swf?feed=http%3A%2F%2Fwww.mixcloud.com%2FMaryAnneHobbs%2Fscuba-mix-xfm-311211%2F&amp;embed_uuid=52a61eb3-a378-4d81-bcfa-60de408c2e87&amp;stylecolor=&amp;embed_type=widget_standard" /><param name="allowfullscreen" value="true" /><embed width="380" height="380" type="application/x-shockwave-flash" src="http://www.mixcloud.com/media/swf/player/mixcloudLoader.swf?feed=http%3A%2F%2Fwww.mixcloud.com%2FMaryAnneHobbs%2Fscuba-mix-xfm-311211%2F&amp;embed_uuid=52a61eb3-a378-4d81-bcfa-60de408c2e87&amp;stylecolor=&amp;embed_type=widget_standard" allowFullScreen="true" wmode="opaque" allowscriptaccess="always" allowfullscreen="true" /></object></p>
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<p style="display: block; font-size: 12px; font-family: Helvetica, Arial, sans-serif; margin: 0; padding: 3px 4px; color: #02a0c7;"><a style="color: #02a0c7; font-weight: bold;" href="http://www.mixcloud.com/MaryAnneHobbs/scuba-mix-xfm-311211/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=resource_link" target="_blank">Scuba Mix &#8211; Xfm 31/12/11</a><span> by </span><a style="color: #02a0c7; font-weight: bold;" href="http://www.mixcloud.com/MaryAnneHobbs/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link" target="_blank">Mary Anne Hobbs</a><span> on </span><a style="color: #02a0c7; font-weight: bold;" href="http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link" target="_blank"> Mixcloud</a></p>
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<p><a href="http://www.hotflushrecordings.com/" target="_blank">http://www.hotflushrecordings.com/</a><br />
<a href="http://soundcloud.com/hotflush" target="_blank">http://soundcloud.com/hotflush</a><br />
<a href="http://www.facebook.com/HotflushUK" target="_blank">http://www.facebook.com/HotflushUK</a></p>
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		<title>STHoldings: End of year review 2011</title>
		<link>http://www.stholdings.co.uk/2011/12/21/stholdings-end-of-year-review-2011/</link>
		<comments>http://www.stholdings.co.uk/2011/12/21/stholdings-end-of-year-review-2011/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 11:15:27 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
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		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=4045</guid>
		<description><![CDATA[So that’s another year almost done and with it come the inevitable top this, top that lists. Here are details of how  STHoldings distributed labels/artists featured in the end of year lists from around the web. RA Poll: Top 50 tracks of 2011 http://www.residentadvisor.net/feature.aspx?1422 46. Maurice Donovan - Babeh [SSSSS] The man formerly known as Ramadan cuts up a [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 12pt; font-family: Cambria;" lang="EN-US">So that’s another year almost done and with it come the inevitable top this, top that lists. Here are details of how<span>  </span>STHoldings distributed labels/artists featured in the end of year lists from around the web.</span></p>
<h2><span style="color: #ff6600;"><strong>RA Poll: Top 50 tracks of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/ra-logo.jpg" alt="" /><br />
<a href="http://www.residentadvisor.net/feature.aspx?1422" target="_blank">http://www.residentadvisor.net/feature.aspx?1422</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/sssss002.jpg" alt="" /><br />
<strong>46. Maurice Donovan - Babeh [SSSSS]</strong><br />
The man formerly known as Ramadan cuts up a classic into something resembling house.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F25731087&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F25731087&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/hemlockrecordings/maurice-donovan-babeh">SSSSS02 A &#8211; Maurice Donovan &#8211; Babeh</a> by <a href="http://soundcloud.com/hemlockrecordings">Hemlockrecordings</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/hes018.jpg" alt="" /><br />
<strong>22. Peverelist - Dance Til the Police Come [Hessle Audio]</strong><br />
Jungle-inspired-swinging post-dubstep—or in other words, a Bristol-based genius at the top of his game.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10224301&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10224301&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/peverelist/peverelist-dance-til-the">Peverelist &#8216;Dance til the Police Come&#8217;</a> by <a href="http://soundcloud.com/peverelist">Peverelist</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/hf030.jpg" alt="" /><br />
<strong>19. Scuba - Adrenalin [Hotflush]</strong><br />
A lot of 2011&#8242;s big tracks inspired as much bickering as they did dancefloor mayhem, and Scuba&#8217;s only single under his usual moniker was no different. Following in his new, looser, and housier direction, &#8220;Adrenalin&#8221; is eight minutes of rigid repetition, incessantly catchy basslines and a strobing vocal sample. But the song&#8217;s lopsided progression is the important part, because three minutes in it melts away into one of the year&#8217;s most decadent breakdowns, several minutes of building synth washes and whooshes that unashamedly ascend to the highest of the gurning trance heavens. The song&#8217;s title might imply a certain energy, but we all know there&#8217;s a different chemical driving this one.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F22881017&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F22881017&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/stholdings/scuba-adrenalin-hotflush">Scuba &#8216;Adrenalin&#8217; Hotflush Recordings [HF030]</a> by <a href="http://soundcloud.com/stholdings">stholdings</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/hek013.jpg" alt="" /><br />
<strong>17. Pangaea - Hex [Hemlock]</strong><br />
Pangaea&#8217;s &#8220;Hex&#8221; was perfectly fine for the first 86 seconds. Pretty swell even. A bit of rhythmic trickery, a nice organic bed for it all to sit on. Then there was this: &#8220;Buh buh buh buh buh buh buh buh buh kut buh buh buh buh buh buh buh buh buh kut be booooooooooooy be boooooOOOOOOOoy.&#8221; It was at that moment that &#8220;Hex&#8221; became one of the most exciting songs we&#8217;d heard all year. That Kevin McAuley had further tricks up his sleeve later on is icing on the cake of course, but it&#8217;s also why we kept coming back to it throughout the year.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F20773969&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F20773969&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/hemlockrecordings/hek013a-pangaea-hex">HEK 013 A Pangaea &#8211; Hex</a> by <a href="http://soundcloud.com/hemlockrecordings">Hemlockrecordings</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/swamp014.jpg" alt="" /><br />
<strong>10. Unknown Artist - Sicko Cell [Swamp 81]</strong><br />
Be honest: When you finally heard &#8220;Sicko Cell&#8221; in full, you were a little bit underwhelmed. (If you even bothered to track it down at all.) There&#8217;s not much to say about the rhythm. There&#8217;s hardly a drop. Even the melody—if you can call the atmospheres a full-fledged melody—don&#8217;t inspire much poetry. There is a vocal, though. Perhaps you remember? It&#8217;s the one about cocaine powder. The one that drove you mad in a club this year trying to figure out where it was from. The one that Loefah, Oneman and others couldn&#8217;t stop playing. The one that landed this tune in our top 10 tracks of the year.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F19336089&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F19336089&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/surus/sicko-cell-knock-knock">? &#8211; Sicko Cell / Knock Knock [SWAMP014] Swamp81</a> by <a href="http://soundcloud.com/surus">Surus</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/down001.jpg" alt="" /><br />
<strong>01. Blawan - Getting Me Down [White Label]</strong><br />
The whole story behind &#8220;Getting Me Down&#8221; is a bit corny really. I went out on New Years Eve—like everyone else does, and I did the whole thing, had a good time, left quite early and came back home and kind of just sat at my computer all night/morning. I had these disco loops I had been working on that I wasn&#8217;t really doing much with, and I started messing around with the a cappella and then something just clicked. I did it in about four hours and kind of forgot about it.<br />
This one dropped off the radar for me a little bit, because I actually thought it was one of the weirder things I had written. I never really grasped the catchy vocal properly until I put it into context. A few guys said, &#8220;Yeah, I really like that tune,&#8221; but nothing more than anything else I sent before. The first person to get anything from me is usually Ben UFO. Ben gave it the first play on <a href="http://rinse.fm/" target="_blank">Rinse FM</a>, and somebody then ripped it from the radio stream and uploaded it to YouTube—something that seems happen all the time now. That played an integral part of getting the tune in people&#8217;s heads really.<br />
I&#8217;d been playing the tune out a lot, and it had got an OK reaction. I mean, I had always thought of it as filler for a set anyway. But once the YouTube clip was up, a lot of people in clubs knew what it was, even though it was only three or so weeks after I had finished making it. It&#8217;s really strange how things move so fast.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F15981224&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F15981224&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/punchdrunkmusicdotcom/blawan-getting-me-down-white">Blawan &#8216;Getting Me Down&#8217; (White label)</a> by <a href="http://soundcloud.com/punchdrunkmusicdotcom">punchdrunkmusicdotcom</a></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2><span style="color: #ff6600;"><strong>RA Poll: Top 20 albums of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/ra-logo.jpg" alt="" /><br />
<a href="http://www.residentadvisor.net/feature.aspx?1423" target="_blank">http://www.residentadvisor.net/feature.aspx?1423</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/nonpluscd003.jpg" alt="" /><br />
<strong>19. Instra:mental - Resolution 653 [NonPlus+]</strong><br />
The problem with Instra:mental? They release too much good music. &#8220;Problem&#8221; is the wrong word, but such has been the standard of Alex Green and Damon Kirkham&#8217;s output these past couple of years it&#8217;s become tough to ruminate on each new offering in isolation, fully appreciating the true extent of its merits. They&#8217;ve spoilt us, basically—and none more so than on their debut album, Resolution 653. Barely pausing for a fag break across its 13 tracks, the pair coaxed jaw-clenching amounts of warmth and grit out of their machines, coming off like the natural heirs to Drexciya&#8217;s electro throne.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11344855&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11344855&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/stholdings/instra-mental-resolution-653-1">Instra:mental &#8216;Resolution 653&#8242; Album audio clips Nonplus Records</a> by <a href="http://soundcloud.com/stholdings">stholdings</a></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2><span style="color: #ff6600;"><strong>RA Poll: Top 20 compilations of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/ra-logo.jpg" alt="" /><br />
<a href="http://www.residentadvisor.net/feature.aspx?1424">http://www.residentadvisor.net/feature.aspx?1424</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/exitcd005.jpg" alt="" /><br />
<strong>20. Various Artists - Mosaic Vol. 1 [Exit]</strong><br />
A lot of the tunes on Mosaic were earmarked as singles for Exit. But it became really clear that I wasn&#8217;t going to have the schedule to get everything out, so a compilation seemed like a good idea. In the same way as the [Autonomic] podcast, putting this music together served as a platform for people to get their heads around it. If the tracks are all in dribs and drabs it sort of goes unnoticed. I think compilations and the podcast kind of helped identify this group of artists producing this music. I suppose that&#8217;s where the title Autonomic came from. It&#8217;s funny that it became a genre name sort of, because that was never the intent.<br />
- dBridge</p>
<p><object width="100%" height="360" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F511683&amp;show_comments=false&amp;auto_play=false&amp;show_playcount=false&amp;show_artwork=true&amp;color=000000" /><embed width="100%" height="360" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F511683&amp;show_comments=false&amp;auto_play=false&amp;show_playcount=false&amp;show_artwork=true&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/dbridge/sets/mosaic-vol-1-cd">Mosaic Vol 1 CD</a> by <a href="http://soundcloud.com/dbridge">Exit Records UK</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/hfcd005.jpg" alt="" /><br />
<strong>14. Various Artists - Back &amp; 4th [Hotflush]</strong><br />
I wasn&#8217;t directly involved in the process of choosing tracks for Back &amp; 4th, but the goal was to present a gradual evolution of the label&#8217;s sound over the last few years. It was also an opportunity to bring in a few newcomers who provided a clear manifestation of that same evolution, with Roska, Boddika, dBridge, and FaltyDL adding their own flavors to the mix. I was also glad that Scuba picked up my own track, &#8220;Axis.&#8221; It&#8217;s the first one I made that I was really satisfied with. My favorite track on the compilation, though, was Boxcutter&#8217;s &#8220;LOADtime.&#8221; He&#8217;s always been really inspiring to me, as a veteran producer whose talent and skill really set him apart. &#8211; Incyde, Label Manager</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11742345&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11742345&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/hotflush/back-and-4th-disc-1">BACK AND 4TH &#8211; Disc 1</a> by <a href="http://soundcloud.com/hotflush">Hotflush</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/hescd001.jpg" alt="" /><br />
<strong>10. Various Artists - 116 &amp; Rising  [Hessle Audio]</strong><br />
We had the idea for the compilation at the end of 2010 and started putting the wheels in motion soon after that. We approached some people we hadn&#8217;t worked with before as well as asking those we had if they were interested in the concept too. Luckily for us, everybody was. In terms of the name, the three of us were on the train coming back from our distributors after talking about the project, thinking of titles. I&#8217;d been re-listening to Experience by the Prodigy a week or two earlier and one of the tracks on there is called &#8220;Everybody in the Place (155 &amp; Rising).&#8221; So 116 &amp; Rising (referring to the BPM of the slowest track in the comp) is a bit of a joke, but at the same time summarises the project and a lot of what we&#8217;re about nicely.<br />
- Pangaea</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F15127666&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F15127666&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/platform/james-blake-give-a-man-a-rod">James Blake &#8211; Give A Man A Rod (Second Version)</a> by <a href="http://soundcloud.com/platform">BOILER ROOM</a></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2><span style="color: #ff6600;"><strong>RA Poll: Top 20 labels of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/ra-logo.jpg" alt="" /><br />
<a href="http://www.residentadvisor.net/feature.aspx?1421">http://www.residentadvisor.net/feature.aspx?1421</a></p>
<p><strong>20. NonPlus+</strong><br />
Nonplus+ heads Alex Green and Damon Kirkham simply claim to release what they like—no matter the genre. That&#8217;s what everyone says&#8230;until the distributor steps in. Luckily for us, Green and Kirkham didn&#8217;t get the memo, and spent the year reaffirming their pan-genre approach by putting Actress&#8217; blurry electronica next to Lowtec&#8217;s tired house, and Boddika&#8217;s breezin&#8217; electro up against the Neil Landstrumm and JD Twitch collab Salsa Apocalypso. Add Instra:mental&#8217;s own brutal and beautiful Resolution 653 to the mix, and you have yourself a wonderful and confusing year</p>
<p><strong>19. Idle Hands</strong><br />
Saunter down Stokes Croft in Bristol with some cash in your pocket and you&#8217;ll likely end up trawling the racks of Idle Hands. The label of the same name was started up in 2009 while Chris Farrell was still employed a bit further up the street by the erstwhile Rooted Records. Much like the stock in both these stores, the label hasn&#8217;t been wedded to any one genre. In 2011 that&#8217;s meant an impeccable string of singles from artists like AnD, Kowton, Kevin McPhee, Szare and Outboxx which have run the gamut between charcoal techno and jazzy house.</p>
<p><strong>05. Hotflush</strong><br />
With a hefty label compilation occupying the first quarter of the year and a busy 2010 behind him, it could have been a year of consolidation for Scuba&#8217;s Hotflush. Instead, the imprint pushed forward with new talents George FitzGerald, Braille) and old Paul Woolford &amp; Psycatron). Looking over the names that released on Hotflush in retrospect, and things seem obvious. (Err&#8230; of course Sepalcure and Sigha go together!) But it speaks to the platform that Scuba has created that artists from house, techno and bass music even think to send him tracks—and that he finds a way to work all of them into his DJ sets.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2><span style="color: #ff6600;"><strong>Pitchfork The Top 100 Tracks of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/pitchfork-logo2.jpg" alt="" /><br />
<a href="http://pitchfork.com/features/staff-lists/8726-the-top-100-tracks-of-2011/" target="_blank">http://pitchfork.com/features/staff-lists/8726-the-top-100-tracks-of-2011/</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/sep001.jpg" alt="" /><br />
<strong>94. Sepalcure &#8220;Pencil Pimp&#8221; [Hotflush]</strong><br />
As Sepalcure, Travis Stewart and Praveen Sharma slid in right before the whistle to remind us that electronic music devices can do more than evocatively sputter and fritz. &#8220;Pencil Pimp&#8221; whirls on a machine-lathed spindle of Chicago footwork, capturing a feeling of curtailed tension and lurking danger with its soulful vocal clips and warm synth pads. There are no gestures of rebellion or subversion, only an argument for well-made music at a time when it might seem besieged. &#8220;Pencil Pimp&#8221; demonstrates why we feel so comfortable breaking the mold: We know someone will come along who feels passionate enough to cast it again, tempered even stronger. &#8211;Brian Howe</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26396471&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26396471&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/hotflush/sepalcure-pencil-pimp">Sepalcure &#8211; Pencil Pimp / I&#8217;m Alright (album single)</a> by <a href="http://soundcloud.com/hotflush">Hotflush</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/down001.jpg" alt="" /><br />
<strong>86. Blawan &#8220;Getting Me Down&#8221; [self-released]</strong><br />
Blawan first drew attention with tracks that wielded wild drums like a toddler banging on household objects, but his most powerful moment this year came when he reined in those tendencies for a straightforward house thumper.  A lot of the impact in &#8220;Getting Me Down&#8221; comes fromthat Brandy vocal, squeezed and wedged into a galloping beat that recontextualizes the R&amp;B slow-jam original as a sugary, hyped-up rush that&#8217;s dangerously contagious. Released discreetly after months of dubplate domination, the track&#8217;s landing was titanic: it was impossible to walk around record stores in London in May without hearing it blaring from speakers, or go to a club night without it being rinsed at least once. For the first half of the year, &#8220;Getting Me Down&#8221; was an event, and listening back to it at year&#8217;s end, it&#8217;s easy to see why. So few tracks combined candyfloss rave, UK garage hysteria, and dubby dread (check the growling basslines) into something that sounded so universal yet so subversive, helping to kick off a new impulse in the bass music world that was all about house. &#8211;Andrew Ryce</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2><span style="color: #ff6600;"><strong>Pitchfork The Top 50 Albums of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/pitchfork-logo2.jpg" alt="" /><br />
<a href="http://pitchfork.com/features/staff-lists/8727-the-top-50-albums-of-2011/?utm_source=related">http://pitchfork.com/features/staff-lists/8727-the-top-50-albums-of-2011/?utm_source=related</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/hfcd006.jpg" alt="" /><br />
<strong>47. Sepalcure ‘Sepalcure’ [Hotflush]</strong><br />
In an interview with The Guardian last month, Hotflush boss Scuba named &#8220;Outside&#8221;, the closing song from bass music duo Sepalcure&#8217;s self-titled debut LP, as the song he would want to open his next DJ set with. It&#8217;s a strange choice for a set opener&#8211; &#8220;Outside&#8221; is beatless, essentially four minutes of drone and clipped voices&#8211; but then again, not much about Sepalcure makes sense in the constant forward-thinking climate of bass music circa 2011. As an album, it doesn&#8217;t really do anything new, and a few of the signifiers that Travis Stewart and Praveen Sharma plunder onSepalcure were, to some, reaching their expiration dates&#8211; specifically, the use of pitched vocals that Stewart liberally splayed on his album this year as Machinedrum, Room(s). Part of what makes Sepalcure such a deeply enjoyable listen is how familiar it all is, pogoing between juke-derived textures, IDM&#8217;s click-clack machinery, misty pastoral ambience, and house music&#8217;s 4/4 insistence while weaving a web of shivering romance that still manages to move bodies. Above all else, Sepalcure offers a necessary reminder that, yeah, change is good, but elegant, refined perfection also has its place. &#8211;Larry Fitzmaurice</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26518495&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F26518495&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/surus/sepalcure-sepalcure-lp-album">Sepalcure &#8211; Sepalcure LP *Album Preview* [HFLP006] Hotflush Recordings</a> by <a href="http://soundcloud.com/surus">Surus</a></span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2><span style="color: #ff6600;"><strong>Fact Magazine 50 best: tracks of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/fact-logo.jpg" alt="" /></p>
<p><a href="http://www.factmag.com/2011/12/05/50-best-tracks-of-2011-50-41/">http://www.factmag.com/2011/12/05/50-best-tracks-of-2011-50-41/</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/hft018.jpg" alt="" /><br />
<strong>47: PAUL WOOLFORD &amp; PSYCATRON ‘STOLEN’ (HOTFLUSH)</strong><br />
Almost five years on from ‘Erotic Discourse’, someone, somewhere did 2011 a massive favour and relit the fire under Paul Woolford’s arse, prompting the Leeds veteran to roll back the years and deliver some of his all-time best material. ‘Razor Blade’ and his remix of T. Williams and Terri Walker’s ‘Heartbeat’ were sublime, but this colossal collaboration with Psycatron on Hotflush simply took the biscuit.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F24442495&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F24442495&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/hotflush/paul-woolford-psycatron-stolen">Paul Woolford and Psycatron &#8211; Stolen [HFT018]</a> by <a href="http://soundcloud.com/hotflush">Hotflush</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/medi038.jpg" alt="" /><br />
<strong>40: OLD APPARATUS SIDE A PART 1 (DEEP MEDI)</strong><br />
Old Apparatus’s mysterious debut – 20 minutes of music spread across two untitled sides of vinyl – is something we recommend enjoying as a whole, but there’s no doubt that the first distinct movement of the A-side packs the fiercest punch. It sounds like UK garage gone industrial, its perfectly swung rhythm riven by distortion and an overloaded darkside bassline. The end, it suggests, is very much nigh.</p>
<p><img src="http://www.stholdings.co.uk/myspace/502003.jpg" alt="" /><br />
<strong>39: TEETH ‘SHAWTY’ (502 RECORDINGS)</strong><br />
Smoked-out drum machine pop from Helsinki’s TEETH that suited 502′s darkroom aesthetic (see also: Jay Weed, Fis-T) to a tee.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F13099965&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F13099965&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/stholdings/onemans-502-label-teeth-shawty">Oneman&#8217;s 502 Label: Teeth &#8211; Shawty/Shawty [FaltyDL Remix] 502003</a> by <a href="http://soundcloud.com/stholdings">stholdings</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/drunk021.jpg" alt="" /><br />
<strong>24: KAHN ‘LIKE WE USED TO’ (PUNCH DRUNK)</strong><br />
Kahn’s beautifully crafted debut single bowled us over, with its vocals chopped into the syllables of pure energy and longing – “feminine pressure” writ large – and strapped to the most lithe and undeniable dubstep rhythm we heard all year.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F8763415&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F8763415&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/punchdrunkrecords/kahn-like-we-used-to-punch-drunk-records">Kahn &#8216;Like We Used To&#8217; (Punch Drunk Records)</a> by <a href="http://soundcloud.com/punchdrunkrecords">Punch Drunk Records</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/down001.jpg" alt="" /><br />
<strong>20: BLAWAN ‘GETTING ME DOWN’ (WHITE LABEL)</strong><br />
This year, Blawan expanded on the promise of his 2010 debut single ‘Fram’ to become one of the UK’s most in-demand, and refreshingly, heaviest producers, proving that you can still go hard in the paint without resorting to dubstep or electro-house cliches. He showed off his lighter touch, however, on this vinyl only edit of Brandy’s ‘Wanna Be Down’; it’s still his finest track to date.</p>
<p><img src="http://www.stholdings.co.uk/myspace/hes017.jpg" alt="" /><br />
<strong>17: PANGAEA ‘WON’T HURT’ (HESSLE AUDIO)</strong><br />
Pretty much everything Pangaea touches turns to gold, but nothing gleamed so bright in 2011 as ‘Won’t Hurt’ – a rude-as-all-fuck but masterfully honed onslaught of scything synths, choppy drums and outrageous sub-bass.</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10255510&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10255510&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/pangaea/wont-hurt">Won&#8217;t Hurt</a> by <a href="http://soundcloud.com/pangaea">pangaea</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/swamp014.jpg" alt="" /><br />
<strong>13: UNKNOWN ARTIST ‘SICKO CELL’ (SWAMP81)</strong><br />
I’m the information… co-caine powder. Say no more.</p>
<p><img src="http://www.stholdings.co.uk/myspace/crit051.jpg" alt="" /><br />
<strong>07: ROCKWELL ‘ARIA’ (CRITICAL AUDIO)</strong><br />
The most atmospheric, emotive and dynamic drum’n&#8217;bass track of the year, and an instant classic – wrought out of fierce, fanatically detailed drum programming, ghost-traces of This Mortal Coil’s ‘Song To The Siren’ and impeccably timed, gut-skewering bass stabs.</p>
<h2></h2>
<h2></h2>
<h2><span style="color: #ff6600;"><strong>Fact Magazine 50 best: albums of 2011</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/fact-logo.jpg" alt="" /></p>
<p><a href="http://www.factmag.com/2011/11/30/50-best-albums-of-2011-50-41/">http://www.factmag.com/2011/11/30/50-best-albums-of-2011-50-41/</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/doubt001cd.jpg" alt="" /><br />
<strong>42: 2562 FEVER (WHEN IN DOUBT)</strong><br />
Fever is a concept album with a very simple but rigorous set of rules – every nuance and texture is half-inched from disco records produced from the mid 70’s to the early 80’s, with producer Dave Huismans’ own birth year of 1979 acting as a temporal pivot. The results don’t sound like disco at all – beyond a certain joyous, celebratory quality – but rather a new kind of dance music; dynamic, shapeshifting and irrepressible.</p>
<p><object width="100%" height="305" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F661323&amp;show_comments=false&amp;auto_play=false&amp;show_playcount=false&amp;show_artwork=true&amp;color=000000" /><embed width="100%" height="305" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F661323&amp;show_comments=false&amp;auto_play=false&amp;show_playcount=false&amp;show_artwork=true&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/2562amadeupsound/sets/2562-fever-lp-cd">2562 &#8211; Fever (doubt001cd/lp) [April 2011]</a> by <a href="http://soundcloud.com/2562amadeupsound">2562 / A Made Up Sound</a></span></p>
<h2></h2>
<h2></h2>
<h2><span style="color: #ff6600;"><strong>XLR8R&#8217;s Best of 2011: Labels</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/xlr8r-logo.jpg" alt="" /></p>
<p><a href="http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-labels">http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-labels</a></p>
<p><strong>5. Hotflush</strong><br />
If you&#8217;re wondering why we think <a href="http://www.hotflushrecordings.com/" target="_blank">Hotflush</a> is one of the best labels of the year, then you are not reading XLR8R enough. Let&#8217;s start with the obvious reasons: Sepalcure&#8217;s debut full-length topped Hotflush&#8217;s year off with a stunning display of dense post-dubstep, George FitzGerald dropped two more solid singles of R&amp;B-infused garage, and label head Paul Rose (a.k.a. Scuba) unleashed one of 2011&#8242;s biggest tunes, &#8220;Adrenalin.&#8221; Meanwhile, Praveen Sharma of Sepalcure dropped four tracks of luscious, rolling garage with his A Meaning EP as Braille and Lando Kal stepped outside his usual role as the taller half of Lazer Sword long enough to deliver two of his most impressive solo cuts to date, &#8220;Further&#8221; and &#8220;Time Out.&#8221; Big, soulful tunes, consistently top-notch output, and a proven ability to not only shift within the ever-moving bass-music scene, but, more importantly, the power to influence it, made Hotflush a force yet again in 2011. Glenn Jackson</p>
<p><strong>4. SWAMP81</strong><br />
Second acts can be hard to come by in electronic music, particularly in the lightning-quick environs of London&#8217;s hardcore continuum, but DMZ co-founder Loefah doesn&#8217;t seem to be having much of a problem with it. Since founding the <a href="http://www.swamp81.com/" target="_blank">SWAMP81</a> imprint in 2009, he&#8217;s quickly assembled a roster that functions as a sort of all-star team for upfront, low-end-heavy sounds. After serving up massive tunes like Addison Groove&#8217;s &#8220;Footcrab&#8221; and Ramadanman&#8217;s &#8220;Work Them&#8221; in 2010, the vinyl-only label stepped it up even further in 2011, dropping releases from FaltyDL, Zed Bias (both solo and as one-half of the Funkbias collaboration with Funk Butcher), and another single from Addison Groove. SWAMP81 was also home to records from Boddika—establishing him as a solo artist and one of the year&#8217;s biggest producers. Perhaps most notably, the label (eventually) released &#8220;Sicko Cell,&#8221; one of 2011&#8242;s most anticipated tunes. (The song may not have quite lived up to the hype, but it did snag the #13 slot on our <a href="http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-tracks-part-2">countdown</a> of the year&#8217;s best tracks.) Even as folks begin to wonder about the state of so-called bass music and attempt to figure out exactly where it&#8217;s heading, there appears to be no shortage of quality music coming from the SWAMP81 camp. Shawn Reynaldo</p>
<h2></h2>
<h2></h2>
<h2><span style="color: #ff6600;"><strong>XLR8R&#8217;s Best of 2011: Tracks</strong></span></h2>
<p><img src="http://www.stholdings.co.uk/myspace/xlr8r-logo.jpg" alt="" /></p>
<p><a href="http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-tracks-part-one" target="_blank">http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-tracks-part-one</a><br />
<a href="http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-tracks-part-2" target="_blank">http://www.xlr8r.com/features/2011/12/xlr8rs-best-2011-tracks-part-2</a></p>
<p><img src="http://www.stholdings.co.uk/myspace/swamp011.jpg" alt="" /><br />
<strong>47. Boddika  &#8220;2727&#8243;  (SWAMP81)</strong><br />
Even in a year when Instra:mental, the duo he&#8217;s been a part of for more than a decade, released a widely acclaimed and sonically adventurous new album, the ascent of <a href="http://soundcloud.com/boddika" target="_blank">Boddika</a> as a solo artist could not be stopped. Tracks like &#8220;2727&#8243;—with its thunderous drums, acid lines, and unapologetically raw aesthetic—are the reason why. Shawn Reynaldo</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11154957&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F11154957&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/boddika/2727-1">2727</a> by <a href="http://soundcloud.com/boddika">Boddika</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/ccb12001.jpg" alt="" /><br />
<strong>46. French Fries  &#8221;Champagne&#8221;  (ClekClekBoom)</strong><br />
Legend has it that Claude VonStroke wanted to sign &#8220;Champagne&#8221; to his Dirtybird label, but young French producer <a href="http://soundcloud.com/mrfrenchfries" target="_blank">French Fries</a> politely declined and kept the tune for his own ClekClekBoom imprint. True or not, it&#8217;s quite the story, not that this tune, which uses white space as effectively as it employs snappy drums and eerie synths, needed much help finding its way into DJs&#8217; playlists. Shawn Reynaldo</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F27331217&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F27331217&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/clekclekboom/french-fries-champagne-hugz-ft">French Fries &#8211; Champagne / Hugz ft. Bambounou [CCB001] &#8211; Out Now! (12&#8243; Ltd Ed Vinyl)</a> by <a href="http://soundcloud.com/clekclekboom">ClekClekBoom</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/sep001.jpg" alt="" /><br />
<strong>44. Sepalcure  &#8221;Pencil Pimp&#8221;  (Hotflush)<a href="http://www.sepalcure.com/"><br />
</a></strong><a href="http://www.sepalcure.com/" target="_blank">Sepalcure</a> seems to compose bass music on the most loose, yet subtle terms, and the pair&#8217;s unique perspective on the genre has continued to yield stellar results. Somehow both tribal and smooth in the same breath, &#8220;Pencil Pimp&#8221; immediately stood out during the course of the duo&#8217;s debut LP, mostly due to the sheer weight infused into its post-happy sound—think Mount Kimbie with slightly bigger balls (and maybe some more drugs in the mix). Glenn Jackson</p>
<p><img src="http://www.stholdings.co.uk/myspace/down001.jpg" alt="" /><br />
<strong>43. Blawan  &#8221;Getting Me Down&#8221;</strong><br />
Sampling generously from Brandy&#8217;s <a href="http://www.youtube.com/watch?v=sLh3u0cZYVM" target="_blank">&#8220;I Wanna Be Down&#8221;</a> is kind of a no-brainer (whether or not you&#8217;re willing to admit it, we all loved that song), but <a href="http://www.facebook.com/pages/Blawan/115678128712" target="_blank">Blawan</a> did much more than simply edit Brandy&#8217;s half-forgotten hit—he propelled it into the club of some distant planet with monstrous percussion and whatever the hell that reverse low-end sound is. Wherever it comes from, it&#8217;s strange, unnerving, and just about perfect. Glenn Jackson</p>
<p><img src="http://www.stholdings.co.uk/myspace/nonplus013.jpg" alt="" /><br />
<strong>26. Instra:Mental  &#8220;When I Dip&#8221;  (NonPlus)</strong><br />
2011 found veteran UK duo <a href="http://www.facebook.com/instramentaluk" target="_blank">Instra:mental</a> completing a very large left turn, essentially abandoning drum &amp; bass for old-school electro, heavy low-end, and lots of 808 drum sounds. Ahead of the acclaimed Resolution 653, the pair dropped &#8220;When I Dip,&#8221; an undeniable tune that also folds some Southern-style booty bass into the outfit&#8217;s new sonic formula. It proved to be quite the effective opening salvo, both for Instra:mental&#8217;s re-emergence and Boddika&#8217;s big year as a solo artist. Shawn Reynaldo</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10689278&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10689278&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/stholdings/instra-mental-resolution-653">Instra:mental Resolution 653 LP Sampler &#8216;Thomp&#8217; / &#8216;When I Dip&#8217; [NONPLUS013]</a> by <a href="http://soundcloud.com/stholdings">stholdings</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/3024011.jpg" alt="" /><br />
<strong>24. Julio Bashmore  &#8220;Ribble to Amazon&#8221;  (3024)</strong><br />
There&#8217;s a line somewhere between soulful, UK-style house and anthemic, almost cheesy, bangers that can be dangerous. However, when walked just right, that line is perfect for the dancefloor. <a href="http://www.facebook.com/JulioBashmoreMusic" target="_blank">Julio Bashmore</a> knows exactly how to walk it, and &#8220;Ribble to Amazon&#8221; is one of his finest journeys on that limb—the pads are warm, the vocals are just right, and those breakdowns are too good to be true. Glenn Jackson</p>
<p><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10255114&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10255114&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always" /> </object> <span><a href="http://soundcloud.com/3024world/julio-bashmore-ribble-to">JULIO BASHMORE RIBBLE TO AMAZON (3024-011B)</a> by <a href="http://soundcloud.com/3024world">3024world</a></span></p>
<p><img src="http://www.stholdings.co.uk/myspace/502003.jpg" alt="" /><br />
<strong>18. Teeth  &#8221;Shawty&#8221;  (502)</strong><br />
Like many selections on Oneman&#8217;s 502 imprint, there&#8217;s not a whole lot to &#8220;Shawty.&#8221; Listening to the song, it quickly becomes apparent just how much space there is in the production, a factor that&#8217;s just as important as any of the actual sonic elements being put to use. That said, each of those elements is just about perfect. Utilizing low-slung drum beats, haunting synth melodies, and a sultry vocal sample, Finnish producer <a href="http://soundcloud.com/teethmattip" target="_blank">Teeth</a> not only put himself on the bass-music map, he also created one of the year&#8217;s most memorable tunes. Shawn Reynaldo</p>
<p><img src="http://www.stholdings.co.uk/myspace/swamp014.jpg" alt="" /><br />
<strong>13. Unknown  &#8221;Sicko Cell&#8221;  (SWAMP81)</strong><br />
It&#8217;s amazing that when &#8220;Sicko Cell&#8221;—undoubtedly the most hyped tune of the year—was finally released in late July, the world was essentially already over it. In a world where anticipation grows exponentially online and DJs are mastering YouTube rips in order to play the latest tune, especially one created &#8220;anonymously&#8221; (it&#8217;s an open secret that <a href="http://www.facebook.com/pages/Joy-Orbison/192924608912" target="_blank">Joy Orbison</a> produced the track) and only passed along to a select few, &#8220;Sicko Cell&#8221; simply ran out of steam. Nevertheless, that doesn&#8217;t change the fact that it&#8217;s a monster of a club track. With a stripped-down aesthetic and eerie vibe, the song is rather similar to Teeth&#8217;s &#8220;Shawty,&#8221; but the twisted, Burial-esque vocal samples put &#8220;Sicko Cell&#8221; over the top. Shawn Reynaldo</p>
<p><img src="http://www.stholdings.co.uk/myspace/hf030.jpg" alt="" /><br />
<strong>3. Scuba  &#8220;Adrenalin&#8221;  (Hotflush)<a href="http://www.facebook.com/ScubaUK"><br />
</a></strong><a href="http://www.facebook.com/ScubaUK" target="_blank">Scuba</a> made a trance song. (Polite company might refer to it as progressive house, but we&#8217;re going to call a spade a spade.) On the heels of &#8220;Loss,&#8221; which he released earlier in the earlier under his SCB moniker (and already nabbed #41 on this list), it was apparent that Paul Rose was interested in exploring new sound palettes, but something this, well, epic was not really expected. While the notion of one of the most influential and boundary-pushing dubstep producers of the past decade making a tune that Sasha would play (yes, that happened) sounds like some kind of nightmare on the surface, it doesn&#8217;t change the fact that &#8220;Adrenalin&#8221; is not only an excellent track, but also a production that completely resets exactly what it is that Scuba is all about. Containing one grandiose and ethereal breakdown—not to mention a series of smaller ups and downs along the way—&#8221;Adrenalin&#8221; certainly plays to the dancefloor, particularly dancers looking to lose their shit once the beat comes back in and the song&#8217;s chunky bassline takes hold. The synths are washy and warm, the sounds employed are impeccably clean, and yes, the track is absolutely, undeniably a bit cheesy. It&#8217;s also eight of the most enjoyable minutes of music we heard all year (more or less on repeat, to be honest), and we can&#8217;t wait to hear what Scuba comes up with next. Shawn Reynaldo</p>
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		<title>release sheet w/c 11-07-11</title>
		<link>http://www.stholdings.co.uk/2011/07/01/release-sheet-wc-11-07-11/</link>
		<comments>http://www.stholdings.co.uk/2011/07/01/release-sheet-wc-11-07-11/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 14:06:17 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
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		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3693</guid>
		<description><![CDATA[sthreleases110711 New D&#38;B Releases RECIPE020 &#8211; Trex / Villem &#8211; Recipe Book Volume One Part Three &#8211; 12&#8243; Vinyl Part 3 of the album brings some serious dancefloor action. Trex’s “Bad Reaction” is a smasher! Reminiscent of oldskool Dj Hype &#38; Twisted individual, this is great Jungle music. Grooverider’s rewind track 2 weeks in a [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2011/07/sthreleases110711.pdf">sthreleases110711</a></p>
<h2>New D&amp;B Releases</h2>
<hr />
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/recipe020.jpg" alt="" /><br />
<strong>RECIPE020  &#8211;  Trex / Villem  &#8211;  Recipe Book Volume One Part Three  &#8211;  12&#8243; Vinyl </strong><br />
Part 3 of the album brings some serious dancefloor action. Trex’s “Bad Reaction” is a smasher! Reminiscent of oldskool Dj Hype &amp; Twisted individual, this is great Jungle music. Grooverider’s rewind track 2 weeks in a row on Radio one, keep an eye on this guy.Villem is one half of Mute (Mute &amp; Mako) and has forthcoming releases on Symmetry to boot. “Splinter in your mind” is one of the labels’ favourites, great rolling drums, super low sub rolls &amp; excellent production, yet another banger in the series! Dj support comes from Hazard, Lee, Total science, Grooverider, Marcus intalex &amp; more.</p>
<p>a Trex &#8211; Bad Reaction<br />
b Villem &#8211; Splinter In Your Mind</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPRECIPE020.mp3">Listen to sample of Recipe Book Volume One Part Three</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/filmlp005s.jpg" alt="" /><br />
<strong>FILMLP005S  &#8211;  Big Bud  &#8211;  Kool Beans Album Sampler  &#8211;  12&#8243; Vinyl </strong><br />
Big Bud&#8217;s fifth solo album, Kool Beans is out and this is the limited 12” sampler. The old atmospheric influence is still there but mixed with some straight up Liquid rollers, Soulful , deep productions  have been getting support from DJ&#8217;s: MARKY / LTJ.BUKEM / A-SIDES / MAKOTO / NOOKIE / RANDOM MOVEMENT and more &gt; BIG BUD will be embarking on a European tour to promote this album and spreading the music and the love for the scene that he&#8217;s been involved in for almost two decades.</p>
<p>a Big Bud &#8211; Lady Sings The Blues<br />
b Mikal &#8211; Mission (Big Bud Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPFILMLP005S.mp3">Listen to sample of Kool Beans Album Sampler</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/som013.jpg" alt="" /><br />
<strong>SOM013  &#8211;  State Of Mind  &#8211;  Nil By Ear Remix EP  (2X12” &amp; CD Album)  &#8211;  12&#8243; Vinyl x 2 </strong><br />
Released as a 2 X 12” with the full length 11 track CD Album shrink-wrapped. Following up from State of Mind&#8217;s brand new album &#8216;Nil by Ear&#8217;, comes a very special remix EP featuring some select cuts from the record. State of Mind recruited some of the scenes most unique talents and gave them the opportunity to turn their hand to a tune of their choice. Hungary&#8217;s Chris Su chose to remix Vega featuring P.Digsss of Shapeshifter and Hospital records, while Nymfo worked his magic on Novocain Dub.  Both remixes are perfect for the dancefloor and the ipod alike. The big bubbler is Germany&#8217;s Neonlight remix of Three Dimensions.  Clips have appeared all over youtube ever since SOM played this banger on their Next Level podcast.  The kids are literally chomping at the bit for this tech smasher. Finally check out Smooth&#8217;s awesome remix of Somebody stop me, a perfect re-visioning that proves liquid isnt dead!</p>
<p>a State of Mind feat P.Digsss &#8211; Vega (Chris SU Remix)<br />
b State of Mind &amp; Subsonik feat 3pm. &#8211; Somebody Stop Me (Smooth Remix)<br />
c State Of Mind &#8211; Novocain Dub (Nymfo Remix)<br />
d State of Mind feat Sacha Vee &#8211; Three Dimensions (Neonlight Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSOM013.mp3">Listen to sample of Nil By Ear Remix EP  (2X12” &amp; CD Album)</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/citrus045.jpg" alt="" /><br />
<strong>CITRUS045  &#8211;  Mindscape &amp; Ryme Tyme / Jade &amp; Mastif   &#8211;  Sickness (Zero Method Remix) / Time Trap  &#8211;  12&#8243; Vinyl </strong><br />
The original version of Sickness by Mindscape and Ryme Tyme featured on the Citrus album &#8216;Juiceblender 2&#8242;, and was the HIT single of the album. As a taster for the album it was also released as a limited edition coloured vinyl sampler and that was sold out in just a few weeks! For the remix we have the new Hungarian production talent ZERO METHOD stepping in. The potential of his talent is extreme as you will hear when you are listening to this killer remix. While the original vibe is fully respected, the remixs brings just that edge to it people want to experience on the dancefloor. A very very tight production and a fave for dj&#8217;s like Ed Rush, Dose, Nymfo and alot more for some time now!As every dnb head must know the Budapest drum&#8217;n bass scene is creating some of the most innovative sounds out there. With guys like Jade, Mindscape, Zero Method and Chris.SU pushing eachother to build even better sounds than the next. Jade and Mastif with their new track for Citrus are a good example of the gems that come out of the constant wish to top eachother sounds. Time Trap is one roller to the extreme with the aggresive synth stabs and explosive beats another killer!!</p>
<p>a Mindscape &amp; Ryme Tyme &#8211; Sickness (Zero Method Remix)<br />
b Jade &amp; Mastif  &#8211;  Time Trap</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPCITRUS045.mp3">Listen to sample of Sickness (Zero Method Remix) / Time Trap</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/fkzltd025.jpg" alt="" /><br />
<strong>FKZLTD025  &#8211;  Krone  &#8211;  Supernatural EP  &#8211;  12&#8243; Vinyl </strong><br />
Krone&#8217;s first vinyl release was a collaboration with Strago called &#8216;Evolution&#8217; on Mutacube Recordings in 2007, this track was played by Bailey (Metalheadz) in BBC 1XTRA Radio. Recently &#8216;Rainforest&#8217; has been released on Med School Music, sister label of Hospital Records, reaching the Ministry of Sound Radio. For FKZLTD Krone delivers 2 tracks in his signature deep neuro drum n bass style. Perfect for the blend between the hard technoid dnb and softer liquid like dnb. Techy sounds while keeping funky, It&#8217;s Neuro funk in its purest form! FKZ:Ltd the sisterlabel of Fokuz is always searching for this kind of sound and Krone succesfully delivers! Watch out for Forthcoming tunes from Krone on DSCI4 (UK), Fokuz (NL), FKZ:LTD and Spun (USA).</p>
<p>a Krone &#8211; Designed Dreams<br />
b Krone &#8211; Supernatural</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPFKZLTD025.mp3">Listen to sample of Supernatural EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/mentally007.jpg" alt="" /><br />
<strong>MENTALLY007  &#8211;  Katharsys / Forbidden Society  &#8211;  Psychosis / Domination  &#8211;  12&#8243; Vinyl </strong><br />
Katharsys, from the ancient greek word &#8216;catharsys&#8217; meaning the emotional cleansing of the audience in relation to drama, is an extreme change in emotion. The main focus of the duo is to create intense sounds which evoked that kind of extreme changes, into electronic music. Producing from darkstep to neurofunk hard drum&amp;bass, Katharsys has reached different labels, such as Habit (US),Guerilla (US), Barcode (UK), Sinuous (UK), and Obscene (UK), and have progressed to playing their hard as balls sets out to fans around Europe. Mentally Disturbd releases the harder sounds of the French duo, while on the flip you can find a collab with probably the hardest working man in the hard dnb scene and label owner of the Forbidden Society recordings. Supported by: Counterstrike, Donny, Dylan, Cooh, Evol Intent, Audio, Dj Hidden, Nanotek, Dean Rodell and Forbidden Society.</p>
<p>a Katharsys  &#8211; Psychosis<br />
b Katharsys &amp; Forbidden Society  &#8211; Domination</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPMENTALLY007.mp3">Listen to sample of Psychosis / Domination</a></p>
<p><br class="blank" /></p>
<h2>New D&amp;B  Promos</h2>
<hr />
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/dis046.jpg" alt="" /><br />
<strong>DIS046  &#8211;  Nymfo / Cern &amp; Nymfo  &#8211;  Recollection / Desert Heat  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy promo. Here we present a mighty talented D &amp; B export from Holland in the form of Nymfo; His tracks can be frequently heard in drum and sets almost everywhere from everyone and we&#8217;re sure that the featured A side &#8220;Recollection&#8221; that he presents for us as at Dispatch as his debut release on the label will be no exception!  The other track making up this release is just just as devastating as the A side &#8220;Desert Heat&#8221; which has been written by Dispatch artist Cern &amp; Nymfo together provides the kind of intro that might give a false sense of safety; that is before it drops and releases some solid heavy hitting drum work and some pure internal organ shaking low end sub.A mass of support on this release from the A-list gang such as; Alix Perez, Icicle, London Elektricity, Ulterior Motive, Ant TC1, Total Science, Survival, Fierce, Spectrasoul, Hybris, Skeptical, Vicious Circle, Universal Project, Stray, Anile, Octane &amp; DLR, EBK, State of Mind, Judda &amp; Krakota.</p>
<p>a Nymfo &#8211; Recollection<br />
aa Cern &amp; Nymfo &#8211; Desert Heat</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDIS046.mp3">Listen to sample of Recollection / Desert Heat</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/rgb001.jpg" alt="" /><br />
<strong>RGB001  &#8211;  Cubist  &#8211;  Action / Baby  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy promo. Hailing from Melbourne Australia.  Cubist featured in Knowledge Magazine’s Top 10 Producers to watch out for in 2010. Cubist is now launching his own Label – ‘Colours Recordings’. His music is supported by Grooverider, DJ Hype, DJ Die, DJ Brockie, Nicky Blackmarket, Doc Scott, Fabio, DJ SS plus many more. Cubist comes with the freshness for RGB001. Smacking popping drums and a sneaky dirty bass line makes Action pack the punch. It will fill the hole in your record bag that&#8217;s been waiting for a tune like Action. With a funky haunting vocal hook &#8216;Watch your Action&#8217;, this tune spikes, rolls and bounces in all the right places. With support from Grooverider it is guaranteed to bring the freshness that you need. With similar hard hitting drums. Baby brings the funk. Influenced by the sounds of Full Cycle, Baby&#8217;s mesmerising &#8216;whooping&#8217; baseline will get the dance floor grooving. With it&#8217;s West Coast Hip Hop vocal samples and bass switch up. Baby has the all the ingredients necessary to groove. Cubist records all his drums in his studio. He has previously released with Grid Recordings, Advisory plus more. His latest tracks are getting support from heavy hitters such as Grooverider, Crissy Criss, Nicky Blackmarket, DJ Die plus many more…</p>
<p>a Cubist &#8211; Action<br />
b Cubist &#8211; Baby</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPRGB001.mp3">Listen to sample of Action / Baby</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/dmnd004.jpg" alt="" /><br />
<strong>DMND004  &#8211;  BTK &amp; Optiv  &#8211;  Crawler / Music Within  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy promo. It’s clear to see that the first half of 2011 has been an amazing one for Demand Records. With their first release jumping straight into the Beatport charts at #1, the second seeing Nymfo’s first ever remix and with the ink still drying on the license request for Demand’s third release to appear on the latest compilation CD from UKF, it’s clear that this label has achieved more than most start-ups. So it’s no real surprise that the fourth outing from the Swiss-owned imprint is something special too. Here we see Cause 4 Concern member and highly accomplished solo producer, Optiv, team up with Renegade Hardware’s BTK to craft two incredible drum &amp; bass tracks with a completely unique feel.  ‘Crawler’ features Presence Known on the beats who helps Optiv &amp; BTK to craft a tribal drum-led slice of D&amp;B with expertly placed sound FX and atmospheric touches. This is like a modern twist on the classic Virus sound, flexing delicate and understated beats with winding mid range synths and deep sub-bass. Impeccable!Backing it up is ‘Music Within’ featuring Podage &amp; LaMeduza. Building slowly and gradually with powerful vocals, once again we’re treated to an education in the art of subtle drum &amp; bass. If you’re looking for rinsed out amens and heavily distorted reese basslines then turn your attentions elsewhere, because this track is as beautiful as it is  elegant. It won’t be turning any raves upside down, but that’s not really the point of good music, is it?</p>
<p>a BTK &amp; Optiv Ft. Presence Known &#8211; Crawler<br />
aa BTK &amp; Optiv Ft. Podage &amp; LaMeduza &#8211; Music Within</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDMND004.mp3">Listen to sample of Crawler / Music Within</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/bchem004.jpg" alt="" /><br />
<strong>BCHEM004  &#8211;  Gein &amp; Cooh  &#8211;  Motherfucker / Schizm  &#8211;  12&#8243; Vinyl </strong><br />
&#8216;Man will begin to recover the moment he takes art as serious as physics, chemistry, or money&#8217; With a mindset of D.I.Y. and a vision of the future, drum and bass producers GEIN have unleashed their record label BAD CHEMISTRY RECORDINGS on the world&#8217;s ears. And with five years of production credit, as well as 5 years of record label management with HABIT RECORDINGS, the trio is set to stir up the drum and bass scene with a conceptual label that defies people&#8217;s set standards. With Bad Chemistry, GEIN is turning heads all across the board with collaborations you would come to expect, never expect, as well as new solo material that breaks stereotypes. And with support from major players in the drum and bass world, the hype is growing daily. With the 4th release, GEIN brought us &#8216;Motherfucker&#8217; produced by GEIN, backed with &#8216;Schizm&#8217; a collab with COOH!</p>
<p>a Gein &#8211; Motherfucker<br />
b Gein &amp; Cooh &#8211; Schizm</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPBCHEM004.mp3">Listen to sample of Motherfucker / Schizm</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/cls015.jpg" alt="" /><br />
<strong>CLS015  &#8211;  Bulb feat. MC Fava / Command Strange  &#8211;  Still There / Emotions  &#8211;  12&#8243; Vinyl </strong><br />
Drum and bass is a worldwide thing and Celsius keeps on delivering good music no mather where it was made. BULB straight from Vladimir Russia teaming up with Germany&#8217;s most hyped mc FAVA. Nice spaced out intro with vocals from the FAVA leading way to the rolling sounds of a melodic-bomb. Keep an eye on this man. He is already getting noticed with his latest outing appearing in Markus Intalex Soulution Radio and Microfunk podcast. His &#8216;Distinctions of the same&#8217; tune with Tiiu vocals, appeared in Hospital June Democast and in 2011 it was released on Med School&#8217;s &#8216;New Blood 011&#8242; compilation. For the flip we have Command Strange straight from Kazakhstan! We all know his very impressive debut album &#8216;Soul Booster&#8217; still available from FOKUZ recordings. This tune is called EMOTIONS and emotional it is. Get your napkins out for this melody will move you.</p>
<p>a Bulb feat. MC Fava  &#8211; Still There<br />
b Command Strange &#8211; Emotions</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPCLS015.mp3">Listen to sample of Still There / Emotions</a></p>
<p><br class="blank" /></p>
<h2>D&amp;B  Restocks Vinyl</h2>
<hr />
<p><strong>VIO018 &#8211; Hive &amp; Gridlok &#8211; Standing Room Only </strong> <br class="blank" /><br />
<strong>SUBTITLESUK006 &#8211; Lenzman &amp; Treez Ft. Jo-s &#8211; Stellar / Stuck </strong> <br class="blank" /><br />
<strong>SOULR049 &#8211; Marcus Intalex &#8211; 21 [Vinyl Edition] </strong></p>
<p>&nbsp;</p>
<h2>New Bass Music CD</h2>
<hr />
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/noppacd001.jpg" alt="" /><br />
<strong>NOPPACD001  &#8211;  Tes La Rok  &#8211;  Them   &#8211;  CD </strong><br />
Tes La Rok&#8217;s highly anticipated debut album entitled &#8216;Them&#8217; will finally see the light of  day. Tes La Rok made his name in dubstep circles in 2007 with the massive &#8220;Round The World Girls Remix&#8221; which immediately positioned him as one of the most exciting artists and definitely one to watch. Anthem releases such as &#8216;Under The Dancing Feet&#8217; remix for Clouds, &#8216;Wikidness Remix&#8217; for Mungo&#8217;s Hi-Fi, and &#8216;Up In The Vip / Living Fire&#8217; on Dub Police were soon followed by bookings at DMZ in Brixton and dubstep mecca FWD&gt;&gt; at Plastic People. &#8216;Them&#8217; features thirteen tracks engineered with precision and care. &#8216;Invasion&#8217; sets the album off in a deep and minimal flavour followed by the dark and abyssal &#8216;Earth&#8217;. The album title track &#8216;Them&#8217; mixes techno flavours with tribal percussions and futuristic basslines. &#8216;Murda&#8217; takes the sound back to the year 2006 which is the year when it was originally composed and luckily recovered from a destroyed hard drive! &#8216;Virus&#8217; is a dark mutated sci-fi roller followed by &#8216;You &amp; I&#8217;, the track that has been causing waves all over the world. Tes gives a taste of his old junglist roots on 140bpm amen roller &#8216;Secrets&#8217; and as a follow-up tests his hands on hip hop vibes in &#8216;Malfunction&#8217;. &#8216;Tribal Ting&#8217; and &#8216;Spiritual Ting&#8217; showcase the more known Tes La Rok dubwise production and his profound love to dig dub stepper sounds. &#8216;What&#8217; and &#8216;From The Shadows&#8217; combine deep &amp; beautiful atmospheres with post-garage drums patterns and subheavy basslines. To bring the album to a finale and give a hint of the future, &#8216;Turn It Up&#8217; brings in chopped vocals and raw 808 bass. Coming from the land of three months of nearly zero sunlight it is by no means a surprise that this album is deep, dark and futuristic. From the music to the artwork there&#8217;s a touch of Bladerunner and Alien. These tracks are being championed by the main players such as Distance, N-Type, Kryptic, Minds, Desto, Pinch, Addison Groove and Cyrus.</p>
<p>1 Tes La Rok &#8211; Invasion<br />
2 Tes La Rok &#8211; Earth<br />
3 Tes La Rok &#8211; Them<br />
4 Tes La Rok &#8211; Murda<br />
5 Tes La Rok &#8211; Virus<br />
6 Tes La Rok &#8211; You &amp; I<br />
7 Tes La Rok &#8211; Secrets<br />
8 Tes La Rok &#8211; Malfunction<br />
9 Tes La Rok &#8211; Tribal Ting<br />
10 Tes La Rok &#8211; Spiritual Ting<br />
11 Tes La Rok &#8211; What<br />
12 Tes La Rok &#8211; Turn It Up<br />
13 Tes La Rok &#8211; From The Shadows</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPNOPPACD001.mp3">Listen to sample of Them </a></p>
<p><br class="blank" /></p>
<h2>New Bass Music Releases</h2>
<hr />
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ncomp005.jpg" alt="" /><br />
<strong>NCOMP005  &#8211;  Persist  &#8211;  Blam / Automatic  &#8211;  12&#8243; Vinyl </strong><br />
DJ support from Rusko, Downlink, Datsik, Funtcase, Doctor P, Trolley Snatcha, Jaguar Skills, Cookie Monsta, Crissy Criss, Young Man, Roksonix, Genetix. &#8216;Rinse the Fuck Outta this Mug&#8217;. Yep you&#8217;ve all heard this one!!! Persist is one of the fastest emerging Dubstep artists at the moment. Tracks have been in the boxes of the Dubstep a-list for quite some time now and No Comply have compiled the best two, bringing you Persist&#8217;s first artist 12&#8243;. Ripping up dancefloors worldwide, Persist&#8217;s productions are amongst the loudest and meanest in the game, standing out in sets like a Burka in Midsommer. If you want the sure-fire instant rewind then you&#8217;ll be reaching for this 12&#8243;. With the ever-fast progressing sound of contemporary Dubstep being sometimes hard to follow, you can be sure that this 12&#8243; is the paramount of now, and Persist is possibly the best gauge of what&#8217;s to come.</p>
<p>a Persist &#8211; Blam<br />
aa Persist &#8211; Automatic</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPNCOMP005.mp3">Listen to sample of Blam / Automatic</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/exit031.jpg" alt="" /><br />
<strong>EXIT031  &#8211;  Synkro &amp; Indigo  &#8211;  Guidance  &#8211;  12&#8243; Vinyl </strong><br />
Never afraid to write music from the heart rather than trying to fit a mould Synkro &amp; Indigo bring a refreshing and inspirational sound to the table and Exit Records are proud to provide an outlet for their work. Their dedicated followers have eagerly awaited guidance, and there’s good reason. Awash with lush atmospheres and vocals it’s a track that manages to touch the listener’s soul and becomes more addictive the more it’s listened to. Delayed snare rolls and fills create an ocean of space for the ambience to develop into a warm and cosey blanket of pure bliss. Reflection contains the same emotion triggering qualities as the A side and is the perfect partner. A little more drum based than its accomplice but just as soothing, it takes you through a workout of intricate beat edits and mixes distant classical vocals with subtle chord progressions.</p>
<p>a Synkro &amp; Indigo &#8211; Guidance<br />
aa Synkro &amp; Indigo &#8211; Reflection</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPEXIT031.mp3">Listen to sample of Guidance</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/3024014.jpg" alt="" /><br />
<strong>3024014  &#8211;  Jon Convex  &#8211;  Convexations  &#8211;  12&#8243; Vinyl </strong><br />
Coming off the back off a sustained period of acclaim as one half of Instramental (an act who you haven&#8217;t heard the last of) we&#8217;re incandescently proud to debut longtime 3024 alumni Damon Kirkham&#8217;s first solo material as Jon Convex with a sound that strikes off in a direction entirely of its own, while mirroring the roaming analogue methodology of his group&#8217;s latter day work.Opener &#8216;Convexations&#8217; raises the curtain with traces of Yamaha fog and a hollowed out kick before a bassline fusing Giorgio Moroder with The Human Centipede rears up to provide unrelenting forward momentum. Glimpses of dialogue warped to the point of gibberish, an ever growing chorus of muttering percussive synths and a zero gravity drop complete the picture of a ride in cattle class all the way to Pittsburgh.&#8217;Falling Again&#8217; dials back its predecessor&#8217;s intensity, evoking a robotic production line take on UKG. A metronomic 2-step rhythm forms the basis for a replicant diva&#8217;s final performance while another strikingly organic bass line spends the duration of the track expanding and arcing with all the grace of a particularly low frequency solar flare.Exclusive to the digital version is &#8216;Order Into Chaos&#8217;. The first Jon Convex track we heard, a particularly intense 3024 board meeting saw it declared too good to leave sitting on the shelf. The most (warehouse) floor focused track offered here and a heads down simmering vat of acid, the surface of which sporadically erupts in frothing signal distortion and T1000 kicks.With the audio content taking a turn into harder and darker territory, Erosie&#8217;s inimitable artwork provides an inky curve ball by taking his collage series into a softer but no less vivid palette providing another perfect visual counterpoint to proceedings.</p>
<p>a Jon Convex &#8211; Convexations<br />
b Jon Convex &#8211; Falling Again</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIP3024014.mp3">Listen to sample of Convexations</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/subscum007.jpg" alt="" /><br />
<strong>SUBSCUM007  &#8211;  Crushington  &#8211;  Big Hit / King Koopa  &#8211;  12&#8243; Vinyl </strong><br />
Finally SCUM recordings unleashes its next talents.. Crushtington hailing from New Zealand  is no unknown face in the DnB scene.. can you guess who it is? And like the Dnb they make this Dubstep isn&#8217;t for the faint hearted. As your used to from the SCUM camp we&#8217;re bringing you next level heavyweight riddims and this release is no exception. The single starts off with Big Hit.. A electrified stepper with a hefty 4&#215;4 drop.. Crushtington shows what their worth right here and now with this one.  Smash this one on the decks and see the dancefloor crumble at your feet. No happy jum up styles here just straight up grimness! Next up its King Koopa. Unlike the giant lizard who Super Mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that won&#8217;t let go so easy. This one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. So better make sure you got some 1up&#8217;s  to make it through this one!</p>
<p>a Crushington &#8211; Big Hit<br />
b Crushington &#8211; King Koopa</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSUBSCUM007.mp3">Listen to sample of Big Hit / King Koopa</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ns008r.jpg" alt="" /><br />
<strong>NS008R  &#8211;  Girl Unit  &#8211;  Wut (Claude Vonstroke Remixs)  &#8211;  12&#8243; Vinyl </strong><br />
We were adamant: “no ‘Wut’ remixes”. But when Vonstroke comes knocking you let him in!Driven by CVS’ own enthusiasm for Girl Unit’s 2010 anthem, the Dirty Bird label boss submitted to us three different versions of his remix, each progressively more stripped down. All three transform ‘Wut’ from gleaming crunk anthem to bass-driven house metatool, expanding on its raw big-room essence. Here we release two of the three versions. On side A Vonstroke’s “Undressed” mix borrows Girl Unit’s synth arrangements and vocal tics, keeping all the ecstasy and emotion of the original for its epic swells, which build up to huge cavernous drops of pitched Miami bass hits and clattering 808s.  Quintessentially CVS, this is the sound of Night Slugs x Dirty Bird. On side AA is the “Butt Naked Mix” (title picked by Vonstroke in true DB style). This version relates to the original only in the most spectral sense, stripping away almost all of Girl Unit’s stems and melodic elements. The result is a beautifully restrained rhythm track, a machine-like big-room dub that builds and drops so elegantly yet so devastatingly. The work of a true master!</p>
<p>a Girl Unit &#8211; Wut (CLAUDE VONSTROKE&#8217;s Undressed Mix)<br />
b Girl Unit &#8211; Wut (CLAUDE VONSTROKE&#8217;s Butt Naked Mix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPNS008R.mp3">Listen to sample of Wut (Claude Vonstroke Remixs)</a></p>
<p><br class="blank" /></p>
<h2>New Bass Music Promos</h2>
<hr />
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/swamp012.jpg" alt="" /><br />
<strong>SWAMP012  &#8211;  Funkbias  &#8211;  Last Forever / Heaven Sent  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy featuring a embossed sleeve. Very limited supply, do not sleep! Zed Bias teams up with UK house up-and-comer Funk Butcher, Swamp81 pressure.</p>
<p>a Funkbias &#8211; Last Forever<br />
b Funkbias &#8211; Heaven Sent</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSWAMP012.mp3">Listen to sample of Last Forever / Heaven Sent</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/noppalp001.jpg" alt="" /><br />
<strong>NOPPALP001  &#8211;  Tes La Rok  &#8211;  Them LP  &#8211;  12&#8243; Vinyl x 3 </strong><br />
Finish copy, Tes La Rok&#8217;s highly anticipated debut album entitled &#8216;Them&#8217; will finally see the light of  day. Tes La Rok made his name in dubstep circles in 2007 with the massive &#8220;Round The World Girls Remix&#8221; which immediately positioned him as one of the most exciting artists and definitely one to watch. Anthem releases such as &#8216;Under The Dancing Feet&#8217; remix for Clouds, &#8216;Wikidness Remix&#8217; for Mungo&#8217;s Hi-Fi, and &#8216;Up In The Vip / Living Fire&#8217; on Dub Police were soon followed by bookings at DMZ in Brixton and dubstep mecca FWD&gt;&gt; at Plastic People. &#8216;Them&#8217; features thirteen tracks engineered with precision and care. &#8216;Invasion&#8217; sets the album off in a deep and minimal flavour followed by the dark and abyssal &#8216;Earth&#8217;. The album title track &#8216;Them&#8217; mixes techno flavours with tribal percussions and futuristic basslines. &#8216;Murda&#8217; takes the sound back to the year 2006 which is the year when it was originally composed and luckily recovered from a destroyed hard drive! &#8216;Virus&#8217; is a dark mutated sci-fi roller followed by &#8216;You &amp; I&#8217;, the track that has been causing waves all over the world. Tes gives a taste of his old junglist roots on 140bpm amen roller &#8216;Secrets&#8217; and as a follow-up tests his hands on hip hop vibes in &#8216;Malfunction&#8217;. &#8216;Tribal Ting&#8217; and &#8216;Spiritual Ting&#8217; showcase the more known Tes La Rok dubwise production and his profound love to dig dub stepper sounds. &#8216;What&#8217; and &#8216;From The Shadows&#8217; combine deep &amp; beautiful atmospheres with post-garage drums patterns and subheavy basslines. To bring the album to a finale and give a hint of the future, &#8216;Turn It Up&#8217; brings in chopped vocals and raw 808 bass. Coming from the land of three months of nearly zero sunlight it is by no means a surprise that this album is deep, dark and futuristic. From the music to the artwork there&#8217;s a touch of Bladerunner and Alien. These tracks are being championed by the main players such as Distance, N-Type, Kryptic, Minds, Desto, Pinch, Addison Groove and Cyrus.</p>
<p>a Tes La Rok &#8211; Them<br />
b1 Tes La Rok &#8211; Earth<br />
b2 Tes La Rok &#8211; Spiritual Ting<br />
c Tes La Rok &#8211; You &amp; I<br />
d1 Tes La Rok &#8211; Invasion<br />
d2 Tes La Rok &#8211; Turn It Up<br />
e Tes La Rok &#8211; Virus<br />
f1 Tes La Rok &#8211; Murda<br />
f2 Tes La Rok &#8211; What</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPNOPPALP001.mp3">Listen to sample of Them LP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/medi046.jpg" alt="" /><br />
<strong>MEDI046  &#8211;  Clouds  &#8211;  A Lot Of Calls From No One Part 2  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy, full colour sleeve, 180g pressing. Clouds are a Finnish electronic music production team that consists of Tommi Liikka and Samuli Tanner. Tommi is a Helsinki native and Samuli comes from a small village deep in rural Finland. The pair met through mutual friends in 1999, and ever since planned on producing music together, hindered by both working on various projects and shows of their own. The plan was finally realised after a string of coincidences and happy accidents led them to sharing a house in the northern suburbs of Helsinki. This is the 3rd release from Clouds on Deep Medi Musik, the follow up to ‘Protecting Hands Pt1&amp;2’.</p>
<p>a Clouds &#8211; A Lot Of Calls From No One Part 2<br />
b Clouds &#8211; Rest Of The Cycle</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPMEDI046.mp3">Listen to sample of A Lot Of Calls From No One Part 2</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/drnt001.jpg" alt="" /><br />
<strong>DRNT001  &#8211;  Dreadnought  &#8211;  Caroline EP  &#8211;  12&#8243; Vinyl </strong><br />
Dreadnought is the collaborative project between Untold (Hemlock / Hessle Audio) and Samuel Chase (Samuel and the Dragon). The duo&#8217;s debut release is the vinyl only &#8216;Caroline EP&#8217;, which features four tracks that mark the genesis of Dreadnought as well as a taster of how the pair&#8217;s sound is developing. The individually numbered vinyl-only EP is being pressed in a limited run &#8211; there will be no repress. The track ‘Meteorite’ was recently named X-Posure Hot One by Xfm’s John Kennedy with further support coming from Huw Stephens and Mary Anne Hobbs.</p>
<p>a i Dreadnought &#8211; Meteorite<br />
a ii Dreadnought &#8211; Bathed In Light<br />
b i Dreadnought &#8211; Ride The Beast<br />
b ii Dreadnought &#8211; Caroline</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDRNT001.mp3">Listen to sample of Caroline EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hek011.jpg" alt="" /><br />
<strong>HEK011  &#8211;  James Blake  &#8211;  Order / Pan  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy, James Blake returns to the label that gave him his debut release with two brand new sub heavy club tracks. Hemlock were responsible for his Air And The Lack Thereof single back in 2009. Neither  ‘Order’ or ‘Pan’ have appeared on Blake’s soulful, electronic self-titled album from this year; the new material sees the return of Blake into the more sparse, experimental and wobbling bass heavy sound of his earlier work.</p>
<p>a James Blake  &#8211; Order<br />
aa James Blake &#8211; Pan</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHEK011.mp3">Listen to sample of Order / Pan</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ex7006.jpg" alt="" /><br />
<strong>EX7006  &#8211;  Excision &amp; Downlink  &#8211;  Heavy Artillery (SkisM Remix) / Reploid (Document One Remix)  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy, The immense sound of &#8216;Factory&#8217; has been a staple in the sets of Excision, Datsik and Downlink for months now. Finally it&#8217;s available to buy alongside brand new track &#8216;Yeah&#8217;.</p>
<p>a Excision &amp; Downlink &#8211; Heavy Artillery (SkisM Remix)<br />
aa Excision &amp; Downlink &#8211; Reploid (Document One Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPEX7006.mp3">Listen to sample of Heavy Artillery (SkisM Remix) / Reploid (Document One Remix)</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/orca004.jpg" alt="" /><br />
<strong>ORCA004  &#8211;  xxxy  &#8211;  You Gotta Do You  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy. Following the huge success of XI’s second release, Orca Recordings is back to deliver its highly anticipated forth instalment; this time from the highly versatile Xxxy , who has delivered two unbelievably cuts for his first 12” on the label.It has been an unbelievable year for Xxxy, with the success of ‘You Always Start It’ on Ten Thousand Yen capturing the attention of many of the scene’s tastemakers including Mount Kimbie, Untold MJ Cole and many others. With his new outing on Orca, Xxxy’s musical style has evolved considerably to incorporate a whole new set of influences and ideas, which leads us to proudly announce that the productions set to be released in the Orca series are ‘You Gotta Do You’ and ‘Open Your Eyes’. ‘You Gotta Do You’ sees Xxxy venture into new sonic territory drawing influence from acid techno, continuing the creative exploration of this classic sound alongside other contemporary artists like Boddika and Blawan. The driving 808’s and futuristic synth arpeggios give this all the heavy vibes of a classic Underground Resistance release with a unique modern interpretation. On the flip, ‘Open Your Eyes’ carries a completely different focus, taking on all the features of an early 90’s jungle anthem and re-contextualizing them into 130bpm amen drivenworkout. Both of these productions are from the ethos that looking into the past for musical inspiration and to create a new breed of sound that is strong enough to smash the biggest clubs but versatile enough to please the most discerning headphone listener.</p>
<p>a xxxy &#8211; You Gotta Do You<br />
b xxxy &#8211; Open Your Eyes</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPORCA004.mp3">Listen to sample of You Gotta Do You</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/brk020.jpg" alt="" /><br />
<strong>BRK020  &#8211;  Erra  &#8211;  Stax / Jookup  &#8211;  12&#8243; Vinyl </strong><br />
Finish copy, Berkane Sol present the vinyl debut of Erra. Erra comes bursting through your speakers with a riot of tuff drums and sweet melody – its like the sound of someone who’s rinsed their console so much that its gone way beyond high scores and into a full on system meltdown. ‘Stax’ starts out with a dreamy intro which leads into the rudest of wake up calls &#8211; a proper peak-time jackin’ synth stab married to a smartly evolved bassline, all driven by concussive garage flavoured rhythms. ‘Jookup’ on the flip again demonstrates Erra’s irresistible talent for blending blissful keys with hectic dancefloor moments, this time really bringing the sickly grime synths to the front, with some cute but disembodied vocals punctuating the action. The 12” follows up Erra’s popular L2S digital release ‘Cake Music’, and neatly shows off this young producers rapid development. These tracks have been getting love from people such as: Al Tourettes (Applepips), Mary Anne Hobbs, Brackles (Rinse FM), N Type (Wheel and Deal), DJ Flight (1 Xtra), Spamchop (Wigflex), 2562 (Tectonic), Shortstuff (Ramp), Cardopusher (Hyperdub), Martyn (3024), Martin Kemp (Blunted Robots), Elgato (Hessle Audio), Selector dub U (Hotflush), Skipple (Sub FM), West Norwood Cassette Library (Teal), King Thing (Fortified)</p>
<p>a Erra &#8211; Stax<br />
b Erra &#8211; Jookup</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPBRK020.mp3">Listen to sample of Stax / Jookup</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/platter002.jpg" alt="" /><br />
<strong>PLATTER002  &#8211;  S-Max &amp; Spatial  &#8211;  Ms. Rosen Dub / Corti  &#8211;  12&#8243; Vinyl </strong><br />
The second serving from Schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music.  S-Max has been doing his thing for some time, running legendary home all things bizarre in house and techno, Boogizm, and releasing a special kind of groove on labels such as Telegraph, 7th City and Karloff. His original track, ‘Ms. Rosen Dub’, swaggers and sways with the spirit of classic Yorkshire bleeps and bass. The groove is house, but the spirit of adventure is most definitely techno. His remix of Spatial’s ‘Corti’ takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. Spatial leapt onto the bass music radar late 2008 with his shadowy Infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. Since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10”s. ‘Corti’ perfectly demonstrates Spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. Meanwhile on his remix of S-Max, Spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.</p>
<p>a1 S-Max &#8211; Ms. Rosen Dub<br />
a2 S-Max &#8211; Ms. Rosen Dub (Spatial’s Size 9 Stomp)<br />
b1 Spatial &#8211; Corti<br />
b2 Spatial &#8211; Corti (S-Max Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPPLATTER002.mp3">Listen to sample of Ms. Rosen Dub / Corti</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/outnl001.jpg" alt="" /><br />
<strong>OUTNL001  &#8211;  Kastil  &#8211;  Dusty Edits  &#8211;  12&#8243; Vinyl </strong><br />
File under Disco Edits. As an extension of their Dutch electronic music website Outernational.nl, we present you the newly born imprint Outernational Recordings. The kick off for this unique vinyl series is by Basque County native Kastil who sets the right tone with three wonderful Disco edits at a mid-tempo / slomo pace. Since uploading these tracks to his SoundCloud page, the feedback has been enormous. Side A contains the long, slow and loopy &#8216;Back to Philadelphia&#8217;, where Kastil cleverly plays with the vocals and delay and creates a highly tense build up. There&#8217;s no doubt that some large players in the very popular Disco edit culture will play this one out. On the B1 side you find the track &#8216;SMD&#8217;. A track which received great feedback by some key figures on SoundCloud. This track is the ultimate pre-lude for the summer. Fortunately, this is being released just early enough to enjoy this during the European and Northern American summer. With again beautiful vocals floating through the track, this track definitely reminds one of a hot day in the local park. The B2 track is called &#8216;Rolls Royce&#8217;. Perfect as the last track of this release since it&#8217;s a long edit which ends with a very atmospheric piano solo that keeps on floating through the last few minutes of the track. All and all, these edits will definitely make some heads turn after the date of release. Supported by: Cosmic Boogie, Dicky Trisco, The Legendary 1979 Orchestra, Sleazy Beats Recordings, Ben La Desh, 78 Edits, Osvaldo Wilson, Mannmademusic, Gitchell Moore</p>
<p>a Kastil &#8211; Back To Philadelphia<br />
b1 Kastil &#8211; SMD<br />
b2 Kastil &#8211; Rolls Royce</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPOUTNL001.mp3">Listen to sample of Dusty Edits</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/rwina013.jpg" alt="" /><br />
<strong>RWINA013  &#8211;  Desto  &#8211;  Makowrap EP  &#8211;  12&#8243; Vinyl </strong><br />
Rwina Records follows up Doshy&#8217;s unforgettable &#8216;Suspiria&#8217; EP with yet another massive and dramatic A-side, this time from Finnish dubstep producer Desto.  Like &#8216;Suspiria&#8217;, Desto&#8217;s &#8216;Makowrap&#8217; is all about uncompromising focus, exacting precision and killer melodies, with the normally hyperactive producer temporarily shelving his loopy constructions and frantic arpeggios and instead favouring a measured, slowly building progression instead.  Desto&#8217;s volatile energy is channelled into bursts of epic, triumphant melody, undeniably anthemic each and every single time they stream out blindingly over the track&#8217;s weighty kick, a reminder that this is, in fact, bass music after all.  The hushed chords and skittering, exaggerated snares that dribble and melt all over the track put a noticeably hip-hop slant that permeates the rest of the EP.The other two tracks hearken back to the usual kind of colourful dubstep Desto is associated with, all arpeggiated fireworks and topsy-turvy synth chords. &#8216;Neptune&#8217; staggers down a descending progression into plateaus of sub-bass throb as synths twinkle and shoot out from the empty spaces, playful percussive accents peeking out mischievously, the sound of drum machines misbehaving.  The other track on the flipside focus around vocal samples, with &#8216;Overkrookd&#8217; attacking a frightened vocal with monotonous LFO stabs that occasionally break through into an undersea world of squiggling chords and bubbling melodies, Jokeresque majesty that quickly flatlines back into the track&#8217;s unforgiving mechano-skank.Finally, as an exclusive extra digital; &#8216;React&#8217; drops somersaulting breakbeats over more of those aqueous 8-bit synths, alternately trilling gently and smearing themselves across the wet, mouldy canvas.  While it&#8217;s quite possibly the label&#8217;s most dubstep-centric release yet, Desto&#8217;s &#8216;Makowrap&#8217; is just another in a series of masterful releases combining the most colourful and vibrant sectors of dubstep and grime with hip-hop swagger, melodically rich while keeping them fully focused on the dancefloor.</p>
<p>a Desto &#8211; Makowrap<br />
b1 Desto &#8211; Neptune<br />
b2 Desto &#8211; Overkrookd</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPRWINA013.mp3">Listen to sample of Makowrap EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/tuba002.jpg" alt="" /><br />
<strong>TUBA002  &#8211;  J Kenzo / The Spit Brothers  &#8211;  Nocturnal Feelings / Beg To Differ (DJG Remix)  &#8211;  12&#8243; Vinyl </strong><br />
The second release from Dubs Alive&#8217;s sister label, TUBA, features the deep and intense sound of the UK&#8217;s J:Kenzo. His A side track, Nocturnal Feelings Is a dark, serious work that brilliantly juxtaposes hard bass lines, frantic percussion, and atmospheric depth. The B side debuts The Spit Brothers on vinyl with Beg to Differ, a sub driven, meditative, and minimalistic affair.The record closes with DJG&#8217;s Reformat of Beg to Differ. This forward thinking track showcases DJG&#8217;s intelligent approach to bass music. His reformat balances the deep with the dance oh-so-well</p>
<p>a J Kenzo  &#8211; Nocturnal Feelings<br />
b1 The Spit Brothers &#8211; Beg To Differ<br />
b2 The Spit Brothers &#8211;  Beg To Differ (DJG Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPTUBA002.mp3">Listen to sample of Nocturnal Feelings / Beg To Differ (DJG Remix)</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/untitled004.jpg" alt="" /><br />
<strong>UNTITLED004  &#8211;  501 feat. Kaleb  &#8211;  Strings Attached / Smoke And Mirrors  &#8211;  12&#8243; Vinyl </strong><br />
Strings Attached: The trance intro might leave some confused to what to expect from the drop. But when it does it takes away all confusion and injects you with a shot of adrenaline with it&#8217;s catchy bass and filtered vocals courtesy of Kaleb. This tune has had serious impact across the globe as a dubplate and will have an even bigger impact upon it&#8217;s release.Smoke and Mirrors: Smoke and Mirrors has Finnish supertalent 501 showing his ability to fuse different elements into one big tune. From the morphing guitars in the intro to the purple drop and twisted vocals with glitchy fx further in it is clear why this producer is hot on every one&#8217;s lip. This tune just progresses and progresses and will leave you wanting to flip over to the b-side.</p>
<p>a 501  &#8211; Strings Attached feat. Kaleb<br />
b 501  &#8211; Smoke And Mirrors</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPUNTITLED004.mp3">Listen to sample of Strings Attached / Smoke And Mirrors</a></p>
<p><br class="blank" /></p>
<h2>Bass Music Restocks CD</h2>
<hr />
<p><strong>HFCD004 &#8211; Mount Kimbie &#8211; Crooks &amp; Lovers </strong> <br class="blank" /><br />
<strong>NONPLUSCD003 &#8211; Instra:mental &#8211; Resolution 653 </strong> <br class="blank" /><br />
<strong>DOUBT001CD &#8211; 2562 &#8211; Fever </strong> <br class="blank" /><br />
<strong>HESCD001 &#8211; Various &#8211; Hessle Audio : 116 &amp; Rising </strong></p>
<p>&nbsp;</p>
<h2>Bass Music Vinyl Restocks</h2>
<hr />
<p><br class="blank" /><br />
<strong>SKULL010 &#8211; Shackleton &#8211; Soundboy’s Suicide Note </strong> <br class="blank" /><br />
<strong>PIPS009 &#8211; Instra:mental &#8211; Leave It All Behind </strong> <br class="blank" /><br />
<strong>HES011 &#8211; James Blake &#8211; The Bells Sketch </strong> <br class="blank" /><br />
<strong>HFLP004 &#8211; Mount Kimbie &#8211; Crooks &amp; Lovers </strong> <br class="blank" /><br />
<strong>RS1007 &#8211; James Blake  &#8211; Klavierwerke EP </strong> <br class="blank" /><br />
<strong>RS1009 &#8211; Untold &#8211; Stereo Freeze </strong> <br class="blank" /><br />
<strong>LISHS002 &#8211; Von D &#8211; The Sunlight / Chacha&#8217;s Leggings </strong> <br class="blank" /><br />
<strong>NONPLUSLP003 &#8211; Instra:mental &#8211; Resolution 653 (3&#215;12” Vinyl and Download card) </strong> <br class="blank" /><br />
<strong>HF027 &#8211; Joy O &#8211; Wade In / Jels </strong> <br class="blank" /><br />
<strong>RS1003 &#8211; James Blake &#8211; CMYK EP (Black Vinyl) </strong> <br class="blank" /><br />
<strong>SOULR048 &#8211; Marcus Intalex &#8211; Dusk / TB or not TB? </strong> <br class="blank" /><br />
<strong>PLATTER001 &#8211; Appleblim &amp; October &#8211; NY Fizzzzz / Fountains Of Paradise </strong> <br class="blank" /><br />
<strong>ZEN12288 &#8211; Mr Scruff &#8211; Wobble Control </strong> <br class="blank" /><br />
<strong>RS1103BLK &#8211; Lone &#8211; Echo Locations EP (Black Vinyl) </strong> <br class="blank" /><br />
<strong>RS1104 &#8211; The Chain &#8211; Lostwithiel EP </strong> <br class="blank" /></p>
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		<title>New Mount Kimbie release &#8220;Carbonated EP&#8221; incoming</title>
		<link>http://www.stholdings.co.uk/2011/05/03/new-mount-kimbie-release-carbonated-ep-incoming/</link>
		<comments>http://www.stholdings.co.uk/2011/05/03/new-mount-kimbie-release-carbonated-ep-incoming/#comments</comments>
		<pubDate>Tue, 03 May 2011 16:03:03 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[abbey road]]></category>
		<category><![CDATA[airhead]]></category>
		<category><![CDATA[blind night errand]]></category>
		<category><![CDATA[carbonated]]></category>
		<category><![CDATA[crooks and lovers]]></category>
		<category><![CDATA[download]]></category>
		<category><![CDATA[dubstep]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[glastonbury]]></category>
		<category><![CDATA[hotflush]]></category>
		<category><![CDATA[james blake]]></category>
		<category><![CDATA[maybes]]></category>
		<category><![CDATA[mount kimbie]]></category>
		<category><![CDATA[peter van hoesen]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[Scuba]]></category>

		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3567</guid>
		<description><![CDATA[After releasing their debut album ‘Crooks and Lovers’ last summer to huge critical acclaim and racking up numerous end of year lists including the shortlist for Guardian’s First Album Award, plus sell out tours in North America, Australia and Europe, London duo Mount Kimbie announce the news of their next EP ‘Carbonated’.]]></description>
			<content:encoded><![CDATA[<p>After releasing their debut album ‘Crooks and Lovers’ last summer to huge critical acclaim and racking up numerous end of year lists including the shortlist for Guardian’s First Album Award, plus sell out tours in North America, Australia and Europe, London duo Mount Kimbie announce the news of their next EP ‘Carbonated’.</p>
<p>Set for release on 27th June on the label Hot Flush, the EP follows the release of the ‘Blind Night Errand’ EP and will be the final release from the album.<br />
‘Carbonated’, the lead track on the EP is joined by two previously unreleased tracks, the buoyant, effervescence of ‘Flux’ and ‘Bave’s Chords’, which showcase the lush, elegant percussive sound Mount Kimbie have become known for. ‘Bave’s Chords’ was recorded around their early EP ‘Maybes’ and ‘Flux’ was created during the album recordings.</p>
<p>Airhead, who’s shortly releasing his own album on Brainmath and is member of James Blakes&#8217; live band, subtly twists ‘Carbonated’ with his remix, while Belgian producer &amp; DJ Peter Van Hoesen creates a six minute dark techno rework for the dancefloor. ‘Adriatic’, also from ‘Crooks and Lovers’ is transformed completely by Klaus with his style of detailed production hitting the mark once more.</p>
<p>‘Crooks and Lovers’ defined Dominic Maker and Kai Campos as an original and exceptional duo whose musical output refuses to be pigeonholed. Abundant in paradoxes, the album floats through dubstep and hip-hop, jazz, techno, post-rock, UK garage, shoegaze, indie and film scores to startling effect.</p>
<p>Mount Kimbie recently performed at the legendary Abbey Road in London for the new Channel 4 programme Abbey Road Debuts, see exclusive footage here:<br />
<a href="http://www.dummymag.com/news/2011/04/24/mount-kimbie-maybes-live-video-exclusive/" target="_blank">http://www.dummymag.com/news/2011/04/24/mount-kimbie-maybes-live-video-exclusive/</a></p>
<p>One of the highlights at March’s SXSW and currently on a UK tour, Mount Kimbie will shortly head out to Europe before returning to the UK for Glastonbury, Reading, Leeds and Field Day Festivals with more to be announced soon.</p>
<p><img class="alignnone size-full wp-image-3566" title="carbonated" src="http://www.stholdings.co.uk/wp-content/uploads/2011/05/carbonated.jpg" alt="" width="240" height="250" /><strong> </strong></p>
<p><object width="425" height="349"><param name="movie" value="http://www.youtube.com/v/rpNbJWzxoZM?fs=1&amp;hl=en_GB&amp;rel=0" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed type="application/x-shockwave-flash" width="425" height="349" src="http://www.youtube.com/v/rpNbJWzxoZM?fs=1&amp;hl=en_GB&amp;rel=0" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><strong>- &#8211; - &#8211; TOUR DATES &#8211; - &#8211; -</strong></p>
<p>You can catch the duo live all over europe in the coming months.</p>
<p>Thu 12th May &#8211; AB, Brussels<br />
Fri 13th May – Metropool, Hengelo, Netherlands<br />
Sat 14th May – Walk the Line Festival, Den Hague, Netherlands<br />
Sun 15th May – Effenaar, Breda, Netherlands<br />
Tues 17th May – FZW, Dortmund, Germany<br />
Wed 18th May &#8211; Zwischenbau, Rostock, Germany<br />
Thurs 19th May – Festaal Kreuzberg, Berlin<br />
Fri 20th May – Pop UP, Leipzig, Germany<br />
Sat 21st May – Museum of Contemporary Art, Katowice, Poland<br />
Tue 24th May – Meetfactory, Prague<br />
Wed 25th May – Atomic Café, Munich<br />
Thurs 26th May – Keller Club, Stuttgart, Germany<br />
Fri 27th May – Bad Bonn Klibi Festival<br />
Sat 28th May – Freshtival, Istanbul<br />
Thurs 2nd June – Rockhouse, Salzburg, Austria<br />
Fri 3rd June – Springeleven Festival, Graz, Austria<br />
Sat 4th June – Flex, Vienna, Austria<br />
22nd – 26th June &#8211; Glastonbury Festival, Somerset<br />
6-10th July &#8211; Giles Peterson World Wide Festival, Sete, France<br />
6th August – Field Day, London<br />
26-28th August &#8211; Reading &amp; Leeds Festival</p>
<p><strong>Mount Kimbie &#8220;Crooks &amp; Lovers&#8221; on iTunes</strong>: <a href="http://itunes.apple.com/gb/album/crooks-lovers/id376518884" target="_blank">http://itunes.apple.com/gb/album/crooks-lovers/id376518884</a></p>
<p><a href="http://www.mountkimbie.com" target="_blank">www.mountkimbie.com</a></p>
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		<title>release sheet w/c 04-04-11</title>
		<link>http://www.stholdings.co.uk/2011/03/25/release-sheet-wc-04-04-11/</link>
		<comments>http://www.stholdings.co.uk/2011/03/25/release-sheet-wc-04-04-11/#comments</comments>
		<pubDate>Fri, 25 Mar 2011 13:07:42 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[release sheets]]></category>
		<category><![CDATA[2562]]></category>
		<category><![CDATA[3024011]]></category>
		<category><![CDATA[antiserum]]></category>
		<category><![CDATA[back and 4th]]></category>
		<category><![CDATA[break]]></category>
		<category><![CDATA[caspa]]></category>
		<category><![CDATA[critical]]></category>
		<category><![CDATA[distance]]></category>
		<category><![CDATA[dj madd]]></category>
		<category><![CDATA[doubt001cd]]></category>
		<category><![CDATA[downlink]]></category>
		<category><![CDATA[dup police]]></category>
		<category><![CDATA[fd]]></category>
		<category><![CDATA[fever]]></category>
		<category><![CDATA[gridlok]]></category>
		<category><![CDATA[hes017]]></category>
		<category><![CDATA[hes018]]></category>
		<category><![CDATA[hessle]]></category>
		<category><![CDATA[hfcd005]]></category>
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		<category><![CDATA[hotflush]]></category>
		<category><![CDATA[hulk]]></category>
		<category><![CDATA[hybris]]></category>
		<category><![CDATA[hypno]]></category>
		<category><![CDATA[joy o]]></category>
		<category><![CDATA[julio bashmore]]></category>
		<category><![CDATA[kahn]]></category>
		<category><![CDATA[kryptic minds]]></category>
		<category><![CDATA[maurice donovan]]></category>
		<category><![CDATA[noisia]]></category>
		<category><![CDATA[osmuk012]]></category>
		<category><![CDATA[p51]]></category>
		<category><![CDATA[pangaea]]></category>
		<category><![CDATA[paper crows]]></category>
		<category><![CDATA[peverelist]]></category>
		<category><![CDATA[prolix]]></category>
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		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3491</guid>
		<description><![CDATA[sthreleases040411 New D&#38;B Releases MODULE005 &#8211; FD &#8211; Stack / Sent Down &#8211; 10&#8243; Vinyl Critical’s beloved new-kid-on-the-block Modulations imprint draws up another naughty storm in the form of ‘Stack’ b/w ‘Sent Down’ featuring Script. Having had releases on top-notch labels including Metalheadz and Critical, London-based FD is swiftly gaining recognition for upping the dance [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2011/03/sthreleases040411.pdf">sthreleases040411</a></p>
<h2>New D&amp;B Releases</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/module005.jpg" alt="" /><br />
<strong>MODULE005  &#8211;  FD  &#8211;  Stack / Sent Down  &#8211;  10&#8243; Vinyl </strong><br />
Critical’s beloved new-kid-on-the-block Modulations imprint draws up another naughty storm in the form of ‘Stack’ b/w ‘Sent Down’ featuring Script. Having had releases on top-notch labels including Metalheadz and Critical, London-based FD is swiftly gaining recognition for upping the dance floor ante with scrumptiously deep demeanor. ‘Stack’ is a stepper that delivers efficient pulse and vibrancy, notably in its teasing bassline and clean snare, peppered with bleeps and vocals conjuring a feel of eerie, futuristic space-age. The AA side retains the energetic deep-liquid flow &#8211; ‘Sent Down’s initially gentle pads venture into a neat, nasty break and a mean grizzly, almost unpredictable, bassline. Listen out for the dark distorted vocal that brings you down to the darker corners of the dance floor. Shimmying symbols linger above the downright devilish drum-kit. Definitely a playful bass-heavy monster,’Sent Down’ is a shuffling pumper of a tune that deserves to wake the neighbours. And if they hate that resonating, violating bass, it can only be a good thing. DJ support from Noisia, Loxy, Logistics, Kasra, Ulterior, Motive Jubei, DJ Lee, Octane</p>
<p>a FD &#8211; Stack<br />
b FD Ft. Script &#8211; Sent Down</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPMODULE005.mp3">Listen to sample of Stack / Sent Down</a></p>
<p><br class="blank" /><br />
<strong>P51UK022  &#8211;  Cern  &#8211;  True Talk / Doubledown  &#8211;  12&#8243; Vinyl </strong><br />
Cern releases the sampler to the forthcoming album &#8216;Terminus&#8217; on Project 51. Cern describes &#8220;Terminus&#8221; as “an album that takes its roots from Techstep and funk driven D&amp;B,” going on to say “the album reflects the inspiration gained from his long standing admiration for producers like Ed Rush &amp; Optical, Matrix, Konflict and Source Direct”, incorporating the sound they represented at a time, in his opinion, when Drum &amp; Bass was “at its peak”</p>
<p>a Cern &#8211; True Talk<br />
b Cern &#8211; Doubledown</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPP51UK022.mp3">Listen to sample of True Talk / Doubledown</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/invisible003.jpg" alt="" /><br />
<strong>INVISIBLE003  &#8211;  Hybris  &#8211;  Invisible 003 EP  &#8211;  12&#8243; Vinyl x 2 </strong><br />
Hybris is Evan Vischi. After years of being a studio recluse, Evan surfaced in the DC scene and released collaborations and solo projects under the name Robot Death Squad. He then moved to the Czech Republic to focus on advancing his own sound and began releasing under the name Hybris. Towards the end of 2009 his tunes were spotted and picked up by Kasra, and his debut single was released on Critical: Modulations (The Cleaner/ Raindance) in June of 2010. With several forthcoming releases on C.I.A., Blackout Music, and Critical, and DJ support from some of the scene&#8217;s heaviest hitters, Evan is now committed to pushing heavy and precise dancefloor beats to the next level. For INVISIBLE, Hybris collaberates succesfully with the mighty NOISIA and drops 3 new solo tracks on this very special double pack vinyl. Great new sounds on the always evolving Invisible imprint.</p>
<p>a Noisia &amp; Hybris &#8211; Crystalline<br />
b Hybris &#8211; Of Two Minds<br />
c Hybris &#8211; Keeping Me<br />
d Hybris &#8211; Out of Place</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPINVISIBLE003.mp3">Listen to sample of Invisible 003 EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/vsn010.jpg" alt="" /><br />
<strong>VSN010  &#8211;  Noisia  &#8211;  Friendly Intentions / Displaced  &#8211;  12&#8243; Vinyl </strong><br />
Multi award winning producers NOISIA do it again. The new single is a BIG hit already feat. Friendly Intentions &amp; Displaced. Both tracks hitting the charts and all the dj&#8217;s playing it making sure you recognise when you here the first second of the tunes. Comes with a massive full colour sleeve by Nik from Noisia.  Once again the first run is limited so don&#8217;t sleep on this one!</p>
<p>a Noisia &#8211; Friendly Intentions<br />
b Noisia &#8211; Displaced</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPVSN010.mp3">Listen to sample of Friendly Intentions / Displaced</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/cls013.jpg" alt="" /><br />
<strong>CLS013  &#8211;  Command Strange &amp; Intelligent Manners  &#8211;  Talking About Love / Beautiful Days  &#8211;  12&#8243; Vinyl </strong><br />
Celsius is back once again with another release that&#8217;ll raise the temperatures in seconds! This 12 comes from the hands of &#8216;Command Strange&#8217;.. After his successful  &#8216;Soul Booster&#8217; Album on Fokuz Recordings last year he&#8217;s ready to show everybody what he can do.. &#8216;Talking About Love&#8217; is a lush sexy collab between &#8216;Command Strange&#8217; &amp; &#8216;Intelligent Manners&#8217; that&#8217;s just too perfect for the upcoming spring season. The hiphop breakdown shows little nods towards Mutt&#8217;s sound but in its own way. The almost Cee-Lo Green ish vocals in the back aren&#8217;t making this track hold back one bit.. &#8216;Beautiful Days&#8217; shows CS on the solo tip once again.. in other words.. Brace yourself for a sweet delicate roller with a sharp edge.. Lovely rolling breaks in the back and sensual piano strokes.. Let&#8217;s the girls melt like butter in your hands!</p>
<p>a Command Strange &amp; Intelligent Manners &#8211; Talking About Love<br />
b Command Strange &#8211; Beautiful Days</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPCLS012.mp3">Listen to sample of Talking About Love / Beautiful Days</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/prspct013.jpg" alt="" /><br />
<strong>PRSPCT013  &#8211;  Donny   &#8211;  Crawler / Fiend  &#8211;  12&#8243; Vinyl </strong><br />
You may think.. what could PRSPCT release anymore to up the game? Easy.. Just give madman Donny enough time and he&#8217;ll create a beast that people never thought they would ever hear.. The first behemoth track is &#8216;Crawler&#8217;.. This one drills through crowds like a huge demonic worm. Feel it slippin and sliding across the lower bass regions.. Just to strike at you with its amen breaks when your guard is down. This infectious roller shows a face PRSPCT is known for.. Cold, destructive sounds like no other. Flip it over for &#8216;Fiend&#8217; In true Donny style he goes in like no other.. Sounding like a army of trash bin robots destroying the city brick by brick.. In true War of the Worlds fashion they run rampant without any regard for human life.. Donny fits the bill once again with a bigtime release crafted perfectly for PRSPCT.. Give General Thrasher another medal for this one!</p>
<p>a Donny  &#8211; Crawler<br />
b Donny &#8211; Fiend</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPPRSPCT013.mp3">Listen to sample of Crawler / Fiend</a></p>
<p><br class="blank" /></p>
<h2>New D&amp;B  Promos</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/tkruk001.jpg" alt="" /><br />
<strong>TKRUK001  &#8211;  Prolix / Gridlok &amp; Skitty  &#8211;  Freeze Frame / Con Artist  &#8211;  12&#8243; Vinyl </strong><br />
TRENDKILL RECORDS is a brand new imprint from Prolix (Playaz, Ganjatek, Metalheadz, Virus) and with it he brings his very own brand of distinctive hard hitting drum and bass. The A Side is a solo track which has been smashing sound systems accross the globe, a true anthem to start or end any DJ set. The AA sees LA based producer Gridlok ( Project51/ Violence/RAM) team up with UKs own Skitty (Metalheadz/Foundation x) to make a track with more than equal power to the A Side.</p>
<p>a Prolix &#8211; Freeze Frame<br />
aa Gridlock &amp; Skitty &#8211; Con Artist</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPTKRUK001.mp3">Listen to sample of Freeze Frame / Con Artist</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/fcr003ep.jpg" alt="" /><br />
<strong>FCR003EP  &#8211;  Paper Crows  &#8211;  Fingertips (Break Remix) / Follow The Leader E.P.  &#8211;  12&#8243; Vinyl </strong><br />
‘Follow The Leader’/’Fingertips’ is the second release from rising stars Paper Crows, who’ve already caught the attention of tastemakers across the blogosphere, print and radio. Follow The Leader’ is a brilliantly, dark, unsettling, underground track that comes with a top drawer remix package. Hotly tipped newcomers Megabits deliver an insanely unique widescreen drum &amp; bass/breaks/electro hybrid, while the legend that is Break delivers another stunning drum &amp; bass remix. ‘Fingertips’ is quite simply a stunning song oozing with wild atmospheric beauty. It has aptly been described as “the marching of dreams on a star studded night” and is already being championed by Radio 1’s Nick Grimshaw. Paper Crows have been wowing audiences with their live shows with sultry singer Emma Panas mesmerising with her spectral vocals and dramatic stage presence. With still less than a dozen gigs under their belt, they’ve already supported the likes of Jamie Woon and Clock Opera. Their next show is at the Barfly in Camden on the 4th February. They’ll be playing alongside Anna Calvi and Sparrow &amp; The Workshop as part of HMV’s Next Big Thing festival. The pair are currently in the studio recording their debut album.</p>
<p>a Paper Crows &#8211; Follow The Leader (DJ Break Remix)<br />
aa Paper Crows &#8211; Follow The Leader (Megabits Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPFCR003EP.mp3">Listen to sample of Fingertips (Break Remix) / Follow The Leader E.P.</a></p>
<p><br class="blank" /><br />
<strong>GEN175006  &#8211;  Deathmachine  &#8211;  Dark Energy / They Hunt Us  &#8211;  12&#8243; Vinyl </strong><br />
Deathmachine is the second artist to successfully infiltrate the ranks of The Outside Agency&#8217;s groundbreaking crossover label One Seven Five. This release is reminiscent of some of The Outside Agency&#8217;s earlier work on One Seven Five, and we&#8217;re not saying that like it&#8217;s a bad thing. In Dark Energy pounding yet groovy distorted hardcore kicks, topped off with the snappiest of snaredrums, and a fittingly Bristish vocal sample make up the ingredients for this stormer that is guaranteed to make even the most stubborn dancefloor bust a move. They Hunt Us on the flip is a clear nod to Deathmachine&#8217;s love affair with drum &amp; bass. He wined it, dined it, and ultimately wrote a song about it. Would you like to hear it? Here it goes.Support from: The DJ Producer, Counterstrike, The Outside Agency, Ophidian, Fracture 4</p>
<p>a Deathmachine &#8211;  Dark Energy<br />
b Deathmachine &#8211; They Hunt Us</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPGEN175006.mp3">Listen to sample of Dark Energy / They Hunt Us</a></p>
<p><br class="blank" /></p>
<h2>D&amp;B  Restocks Vinyl</h2>
<hr />
<p><br class="blank" /> <strong>CAMINO12009 &#8211; Furney / Electrosoul System &amp; Sunchase &#8211; Forwardbound </strong> <br class="blank" /><br />
<strong>CAMINO12010 &#8211; Furney &amp; Locksmith /  Modemelllow &#8211; Wake Up Mr Red / Darksaber </strong> <br class="blank" /><br />
<strong>RECIPE002 &#8211; Jubei &#8211; The Path </strong> <br class="blank" /><br />
<strong>RDR001 &#8211; Netsky &#8211; Your Way / Daydreamin </strong> <br class="blank" /><br />
<strong>RISE026 &#8211; Concord Dawn &amp; Rido &#8211; The Heat / Detonate </strong> <br class="blank" /><br />
<strong>BASSHEAD005 &#8211; Datsik &#8211; Fist Style / Fist Style (Serum Remix) </strong> <br class="blank" /><br />
<strong>SIRENUK001PT1 &#8211; Siren &#8211; Broken Silence Part 1 </strong> <br class="blank" /><br />
<strong>AT009 &#8211; Survival &amp; Silent Witness &#8211; Grahams Tunnel / Bullet </strong> <br class="blank" /><br />
<strong>SYMMLP002 &#8211; Break &#8211; Resistance (4 x 12” + CD inside gatefold sleeve shrink wrapped ) </strong> <br class="blank" /><br />
<strong>APHA004 &#8211; Fracture And Neptune &#8211; The Limit / Get Lost </strong> <br class="blank" /><br />
<strong>SUBTITLESUK005 &#8211; Apex &#8211; Inner Space / Energy Lines </strong> <br class="blank" /><br />
<strong>VSN009 &#8211; Noisia &amp; Ed Rush / Noisia &amp; Spor  &#8211; Brain Bucket / Falling Through </strong> <br class="blank" /><br />
<strong>RDR002 &#8211; Shameboy / Buscemi &#8211; Strobot &#8211; NETSKY rmx / Seaside &#8211; KG rmx </strong> <br class="blank" /></p>
<h2>D&amp;B Restocks CD Albums</h2>
<hr />
<p><br class="blank" /> <strong>SYMMCD002 &#8211; Break &#8211; Resistance </strong> <br class="blank" /></p>
<h2>New Bass Music CD</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/hfcd005.jpg" alt="" /><br />
<strong>HFCD005  &#8211;  Hotflush / Various  &#8211;  BACK AND 4TH  &#8211;  CD x 2 </strong><br />
With dubstep&#8217;s big push into the mainstream, stirring up all manner of hybrids, variants and mutations, it&#8217;s worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception.Paul Rose, aka Scuba, and his Hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. Putting out key tunes by the core pioneers of dubstep, but also by true outliers like Mount Kimbie, Joy Orbison and Sepalcure, Hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. Joining the UK underground to the deep-rooted techno culture of Berlin, where Rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. So next time you hear someone talking about “post-” this or “future-” that, consider that maybe the times are just catching up with Hotflush.BACK AND 4TH features ten brand new tracks from bass music’s most innovative producers, as well as a collection of essentials from Hotflush’s recent catalogue. The compilation is presented in double-CD and digital download formats, as well as a triple 12” vinyl release.</p>
<p>CD1 1 Sepalcure &#8211; Taking You Back -<br />
CD1 2 Boxcutter &#8211; LOADtime -<br />
CD1 3 Boddika &#8211; Warehouse -<br />
CD1 4 dBridge &#8211; Knew You Were The 1 -<br />
CD1 5 Scuba &#8211; Feel It -<br />
CD1 6 FaltyDL &#8211; Regret -<br />
CD1 7 Sigha &#8211; Fold -<br />
CD1 8 George FitzGerald &#8211; We Bilateral -<br />
CD1 9 Incyde &#8211; Axis -<br />
CD1 10 Roska &#8211; Measureless -<br />
CD2 1 Mount Kimbie &#8211; Sketch On Glass -<br />
CD2 2 Scuba &#8211; Twitch (Jamie Vex&#8217;d Remix) -<br />
CD2 3 Joy Orbison &#8211; Hyph Mngo -<br />
CD2 4 Mount Kimbie &#8211; Maybes (James Blake Remix) -<br />
CD2 5 Sigha &#8211; Expansions -<br />
CD2 6 Untold &#8211; Just For You (Roska Remix) -<br />
CD2 7 Scuba &#8211; Tense -<br />
CD2 8 Untold &#8211; Sweat -<br />
CD2 9 Pangaea &#8211; Bear Witness -<br />
CD2 10 TRG &amp; Dub U &#8211; Losing Marbles (2562 Remix) -</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHFCD005.mp3">Listen to sample of BACK AND 4TH</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/doubt001cd.jpg" alt="" /><br />
<strong>DOUBT001CD  &#8211;  2562  &#8211;  Fever  &#8211;  CD </strong><br />
What’s the point of a concept album when no one hears the concept in it? Maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. Creativity by limitation and all that… we’ll spare you further theorizing. ‘Fever’, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. All based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record – no additional synthesizers, drumcomputers or other samplesources involved. Disco-edits, italo homages or filtered loops then? Hardly. This is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest Paradise Garage connaisseurs won’t recognize what just hit them. Or in the words of musical allies Martyn and Pinch, who independently drew the same conclusion: “Sorry, but I don’t hear that whole disco story in there. This simply sounds like you.” Completely failed as a concept album, then – and all the better for it.</p>
<p>1 2562 &#8211; Winamp Melodrama<br />
2 2562 &#8211; Cheater<br />
3 2562 &#8211; Juxtaposed<br />
4 2562 &#8211; Aquatic Family Affair<br />
5 2562 &#8211; Intermission<br />
6 2562 &#8211; Flavour Park Jam<br />
7 2562 &#8211; This Is Hardcore<br />
8 2562 &#8211; Brasil Deadwalker<br />
9 2562 &#8211; Final Frenzy<br />
10 2562 &#8211; Wasteland<br />
11 2562 &#8211; Fever</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDOUBT001CD.mp3">Listen to sample of Fever</a></p>
<p><br class="blank" /></p>
<h2>New Bass Music releases</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/hes017.jpg" alt="" /><br />
<strong>HES017  &#8211;  Pangaea  &#8211;  Inna Daze / Won’t Hurt  &#8211;  12&#8243; Vinyl </strong><br />
For Hessle Audio’s 17th release, co-owner Pangaea presents a two-track 12” of his own take on UK bass music.  Inna Daze = 132bpm / Won’t Hurt = 134bpm.</p>
<p>a Pangaea &#8211; Inna Daze<br />
b Pangaea &#8211; Won’t Hurt</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHES017.mp3">Listen to sample of Inna Daze / Won’t Hurt</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/basshead007.jpg" alt="" /><br />
<strong>BASSHEAD007  &#8211;  Hulk  &#8211;  Booty Clap / Work It   &#8211;  12&#8243; Vinyl </strong><br />
Hulk is a collaboration of Claw &amp; Richie August, two creative minds that share a similar production style and enthusiasm for heavy bass driven music.  Since the inception, Hulk has been catching the eyes and ears of artists such as The Glitch Mob, Dieselboy, Reid Speed, Reso, The GasLamp Killer, High Rankin, iwrestledabearonce and DJ Lord of Public Enemy, among others. After catching the ear of Juan BassHead who had to sign them! Their record featuring tracks &#8220;Booty Clap&#8221; / &#8220;Work It&#8221;</p>
<p>a Hulk &#8211; Booty Clap<br />
aa Hulk &#8211; Work It (ft. Conscious Pilot)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPBASSHEAD007.mp3">Listen to sample of Booty Clap / Work It </a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/drunk021.jpg" alt="" /><br />
<strong>DRUNK021  &#8211;  Kahn  &#8211;  Like We Used To / Helter Skelter  &#8211;  12&#8243; Vinyl </strong><br />
New year, New blood. Kahn steps forward from the shadows of the Bristol underground to deliver a killer double A side debut 12” release for Punch Drunk Records. The immediacy of Kahn’s brand of electrostatic synths and stirring, moody grooves are sure to rapidly ascend his profile in 2011.  ‘Like We Used To’ strikingly layers a neck snapping rhythm with mutated soulful vocals, whilst ‘Helter Skelter’ brings enough irresistible bump and flex to move any dancefloor. Kahn’s basslines may eminate from Bristol, but prepare to feel the resonance worldwide. Bristol’s Punch Drunk label recently reached it’s landmark 20th 12” release and was voted #18 in Resident Advisor magazine’s Best Labels of 2010 poll.</p>
<p>a Kahn &#8211; Like We Used To<br />
b Kahn &#8211; Helter Skelter</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDRUNK021.mp3">Listen to sample of Like We Used To / Helter Skelter</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hf027.jpg" alt="" /><br />
<strong>HF027  &#8211;  Joy O  &#8211;  Wade In / Jels  &#8211;  12&#8243; Vinyl </strong><br />
Since the release of his debut “Hyph Mngo” that swept the global dance music world in 2009, British producer Peter O’Grady (aka Orbison) makes his return on Hotflush Recordings as Joy O in 2011. These two productions take a more straightforward approach, toeing along the lines of classic house music, infused with this talented producer’s own signature style, weaving rolling acidic basslines in “Wade In” and uplifting melodies in “Jels” and over shuffling Roland drums and blissful atmospherics.</p>
<p>a Joy O &#8211; Wade In<br />
aa Joy O &#8211; Jels</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHF027.mp3">Listen to sample of Wade In / Jels</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hflp005.jpg" alt="" /><br />
<strong>HFLP005  &#8211;  Hotflush / Various  &#8211;  BACK AND 4TH  &#8211;  12&#8243; Vinyl x 3 </strong><br />
Pressed on 180 Gram Vinyl in a gatefold sleeve. With dubstep&#8217;s big push into the mainstream, stirring up all manner of hybrids, variants and mutations, it&#8217;s worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception.Paul Rose, aka Scuba, and his Hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. Putting out key tunes by the core pioneers of dubstep, but also by true outliers like Mount Kimbie, Joy Orbison and Sepalcure, Hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. Joining the UK underground to the deep-rooted techno culture of Berlin, where Rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. So next time you hear someone talking about “post-” this or “future-” that, consider that maybe the times are just catching up with Hotflush.BACK AND 4TH features ten brand new tracks from bass music’s most innovative producers, as well as a collection of essentials from Hotflush’s recent catalogue. The compilation is presented in double-CD and digital download formats, as well as a triple 12” vinyl release.</p>
<p>a1 Sepalcure &#8211; Taking You Back<br />
b1 Boxcutter &#8211; LOADtime<br />
b2 Boddika &#8211; Warehouse<br />
c1 dBridge &#8211; Knew You Were The 1<br />
d1 Scuba &#8211; Feel It<br />
d2 FaltyDL &#8211; Regret<br />
e1 Sigha &#8211; Fold<br />
e2 George FitzGerald &#8211; We Bilateral<br />
f1 Incyde &#8211; Axis<br />
f2 Roska &#8211; Measureless</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHFLP005.mp3">Listen to sample of BACK AND 4TH</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/doubt001lp.jpg" alt="" /><br />
<strong>DOUBT001LP  &#8211;  2562  &#8211;  Fever  &#8211;  12&#8243; Vinyl x 2 </strong><br />
What’s the point of a concept album when no one hears the concept in it? Maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. Creativity by limitation and all that… we’ll spare you further theorizing. ‘Fever’, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. All based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record – no additional synthesizers, drumcomputers or other samplesources involved.  Disco-edits, italo homages or filtered loops then? Hardly. This is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest Paradise Garage connaisseurs won’t recognize what just hit them. Or in the words of musical allies Martyn and Pinch, who independently drew the same conclusion: “Sorry, but I don’t hear that whole disco story in there. This simply sounds like you.” Completely failed as a concept album, then – and all the better for it.</p>
<p>a1 2562 &#8211; Winamp Melodrama<br />
a2 2562 &#8211; Cheater<br />
b1 2562 &#8211; Intermission<br />
b2 2562 &#8211; Juxtaposed<br />
c1 2562 &#8211; Brasil Deadwalker<br />
c2 2562 &#8211; Final Frenzy<br />
d1 2562 &#8211; Wasteland<br />
d2 2562 &#8211; Fever</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDOUBT001LP.mp3">Listen to sample of Fever</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/dubline008.jpg" alt="" /><br />
<strong>DUBLINE008  &#8211;  Tomba  &#8211;  Jaws   &#8211;  12&#8243; Vinyl </strong><br />
Dubline presents their latest hot signing from Israel: Tomba (Buygore, Rottun, Basspunch Records). Started together with Borgore and grew up in the metal scene he is known for his raw party style dancefloor tunes. Ready for some serious demolition work? Slab this piece of vinyl on the turntables and you&#8217;ll be ready in no time!</p>
<p>a Tomba &#8211; Jaws<br />
b1 Tomba &#8211; Inglourious Bastards<br />
b2 Devnik &#8211; 5 Point (Tomba Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDUBLINE008.mp3">Listen to sample of Jaws </a></p>
<p><br class="blank" /></p>
<h2>New Bass Music Promos</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/rottun007.jpg" alt="" /><br />
<strong>ROTTUN007  &#8211;  Downlink  &#8211;  Biohazard / Zombie Apocolypse  &#8211;  12&#8243; Vinyl </strong><br />
Downlink has been punishing dancefloors all over the planet with his heavy brand of dubstep. With roots in Jungle &amp; DnB, he is no stranger to the vile side of subsonic dance music. Growing up in a cold industrial town in British Columbia, Canada, he was first introduced to dubstep in 2007 and soon after took to production. While maintaining an appreciation for the sparse and laid-back vibes of the old school, Downlink set out to explore a more frantic, adrenaline fuelled style, influenced by everything from heavy metal to astrophysics. His first two releases charted at #1 on several popular online music stores and soon he found his way onto Rottun Recordings which seemed a suiting place for his music. While consistently coming up with sick material time after time, he has gained DJ support from the likes of Nero, Excision, Datsik, Rusko, Dieselboy, Crookers and many more. Downlink is not one to be pigeon-holed and is constantly on a quest to evolve and refine his sound. With this in mind, one thing will always remain constant &#8211; a pure unadulterated heavy listening experience…</p>
<p>a Downlink &#8211; Biohazard<br />
b Vaski  &#8211; Zombie Apocalypse</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPROTTUN007.mp3">Listen to sample of Biohazard / Zombie Apocolypse</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/osmuk012.jpg" alt="" /><br />
<strong>OSMUK012  &#8211;  DJ Madd  &#8211;  Pitch Black / New Reality  &#8211;  12&#8243; Vinyl </strong><br />
DJ Madd has been killing it recently. It’s another knee-slapping combination drenched in powerful vibes and both tunes are nasty, guttural affairs sure to make your eyeballs rattle. The sound of the release as whole is a little reminiscent of Distance, with crunchy basslines rasping and snarling like enraged wolves savaging a couple of fwuffy wittle bunnies. Thankfully, I love both Distance and bloody carnage, so this is a cracker.words by http://www.boxmusique.com/dj-madd-pitch-black-new-reality-osmuk012</p>
<p>x DJ Madd &#8211; Pitch Black<br />
y DJ Madd &#8211; New Reality</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPOSMUK012.mp3">Listen to sample of Pitch Black / New Reality</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/3024011.jpg" alt="" /><br />
<strong>3024011  &#8211;  Julio Bashmore  &#8211;  Batty Knee Dance / Ribble To Amazon  &#8211;  12&#8243; Vinyl </strong><br />
Two brand new tracks from Bristol&#8217;s emergent House prodigy. Batty Knee Dance brings ultra syncopated 808&#8242;s, neurotic synths and a mournful vocal refrain together in a tightly packaged low drag configuration. Ribble To Amazon maintains the levels of 808 astro physics but heads for the great outdoors with subtly staggered pads and an impossibly delicate Lepidopteran melody basking in a 16:9 sunset. Exclusive to the digital Grand National winds down with wistful synth trumpets and a rhythmic strut perfectly aligned with the greatest roller disco ever.</p>
<p>a Julio Bashmore &#8211; Batty Knee Dance<br />
b Julio Bashmore &#8211; Ribble To Amazon</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIP3024011.mp3">Listen to sample of Batty Knee Dance / Ribble To Amazon</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/teal002.jpg" alt="" /><br />
<strong>TEAL002  &#8211;  Hypno  &#8211;  KOKO / Analies  &#8211;  12&#8243; Vinyl </strong><br />
Kari Guðmundsson aka. HYPNO hits TEAL002 with two exciting pieces lying somewhere inbetween dubstep, house and garage. KOKO is a hypy swingtime-jam ready to make dancefloors go nuts; thrilling percussive variations, deep sub hits and nutty samples. The more soulful, yet experimental ANALIES, draws on HYPNOs signature percussion. Adding sampled vocals, effective kick-drum patternshifts, takes the listener off-guard! Truly, a top shelf twelve! DJ supporting include: RAMADANMAN/PEARSON SOUND, BLAWAN, HACKMAN and DJ DONGA.</p>
<p>a Hypno &#8211; KOKO<br />
b Hypno &#8211; Analies</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPTEAL002.mp3">Listen to sample of KOKO / Analies</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/sssss002.jpg" alt="" /><br />
<strong>SSSSS002  &#8211;  Maurice Donovan  &#8211;  Babeh / Satisfied  &#8211;  12&#8243; Vinyl </strong><br />
Original house-master Maurice Donovan pulls out his 808 and lubes up his reel-to-reel for two muscular, sweaty, stripped-to-the-bone trax on sssss.</p>
<p>s Maurice Donovan &#8211; Babeh<br />
ss Maurice Donovan &#8211; Satisfied</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSSSSS002.mp3">Listen to sample of Babeh / Satisfied</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/dp051.jpg" alt="" /><br />
<strong>DP051  &#8211;  Antiserum  &#8211;  Zephyr / Purple &amp; Gold  &#8211;  12&#8243; Vinyl </strong><br />
San Francisco-based producer Antiserum steps up for Dub Police with two unique collaborations, featuring local producers Ill-Esha and 12th Planet respectively. His music is a masterfully crafted fusion of influences that results in a sound entirely his own, balancing light against dark and colour against pure bass pressure. Showcasing a deft musicality as well as an unrivalled talent for system shaking productions, Antiserum is taking the scene by storm. Releases on Narco.Hz, S.C.U.M and Argon amongst others have already propelled him to the forefront of the rapidly growing American dubstep scene, with plenty more still to come.On the A side, he is joined by Ill-Esha on ‘Zephyr’, a sick g-funk inflected roller. Skittering hi-hats and tough drums lay the foundations on this one, with the deep, smooth bass sweeping underneath. The vibrant synths weave in and out of each other with ease, swimming around the mix and swelling expansively through the speakers. On the flip he teams up with 12th Planet on the massive ‘Purple &amp; Gold’. The g-funk influences continue to flow through this track, pinned down by a hard bassline and taut drums.  The shimmering synths sliding over the top of the percussion and off into the atmosphere give the track an epic stop-in-your-tracks effect.</p>
<p>a Antiserum &amp; Ill-Esha &#8211; Zephyr<br />
aa Antiserum &amp; 12th Planet &#8211; Purple &amp; Gold</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDP051.mp3">Listen to sample of Zephyr / Purple &amp; Gold</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hes018.jpg" alt="" /><br />
<strong>HES018  &#8211;  Peverelist  &#8211;  Dance til the Police Come / Fundamentals  &#8211;  12&#8243; Vinyl </strong><br />
Hessle Audio&#8217;s 18th release sees Bristol based Peverelist make his debut on the label!</p>
<p>a Peverelist &#8211; Dance til the Police Come<br />
b Peverelist &#8211; Fundamentals</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHES018.mp3">Listen to sample of Dance til the Police Come / Fundamentals</a></p>
<p><br class="blank" /></p>
<h2>Bass Music Restocks CD</h2>
<hr />
<p><br class="blank" /> <strong>SWAMPCD001 &#8211; Kryptic Minds &#8211; One Of Us </strong> <br class="blank" /><br />
<strong>HFCD004 &#8211; Mount Kimbie &#8211; Crooks &amp; Lovers </strong> <br class="blank" /></p>
<h2>Bass Music Vinyl Restocks</h2>
<hr />
<p><br class="blank" /> <strong>CHST003 &#8211; Distance  &#8211; V / Present Day </strong> <br class="blank" /><br />
<strong>SUBSOL005 &#8211; Rusko &#8211; Mr Chips </strong> <br class="blank" /><br />
<strong>CHST009 &#8211; Distance &#8211; No Warning / Jungle Fears </strong> <br class="blank" /><br />
<strong>PTN006 &#8211; DJ Dom &#8211; The Mind Of DJ Dom </strong> <br class="blank" /><br />
<strong>PTN007 &#8211; T Williams &#8211; People’s Choice / People’s Choice (F Dat Remix) </strong> <br class="blank" /><br />
<strong>IDLE004 &#8211; Headhunter &#8211; Lost Prophet / Chasing Dragons </strong> <br class="blank" /><br />
<strong>RS1007 &#8211; James Blake  &#8211; Klavierwerke EP </strong> <br class="blank" /><br />
<strong>TEAL001 &#8211; West Norwood Cassette Library &#8211; Blonde On Blonde / Blonde On Blonde (Pearson Sound Remix) </strong> <br class="blank" /><br />
<strong>NSDX006 &#8211; Cutline &#8211; Die For You Remixes </strong> <br class="blank" /><br />
<strong>NSWL006 &#8211; Jacques Greene  &#8211; Optimum </strong> <br class="blank" /><br />
<strong>AAAHH04 &#8211; Egyptrixx &#8211; Battle For North America </strong> <br class="blank" /><br />
<strong>RS1003 &#8211; James Blake &#8211; CMYK EP (Black Vinyl) </strong> <br class="blank" /></p>
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		<title>release sheet w/c 07-03-11</title>
		<link>http://www.stholdings.co.uk/2011/02/25/release-sheet-wc-07-03-11/</link>
		<comments>http://www.stholdings.co.uk/2011/02/25/release-sheet-wc-07-03-11/#comments</comments>
		<pubDate>Fri, 25 Feb 2011 16:23:09 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
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		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3423</guid>
		<description><![CDATA[sthreleases070311 New D&#38;B Releases SUBTITLESUK007 &#8211; Total Science &#38; S.P.Y / Total Science, S.P.Y &#38; Lenzman &#8211; Venus Prime / Narrow Margin &#8211; 12&#8243; Vinyl Three of the biggest names in D&#38;B join forces for Teebee’s Subitles label. a Total Science &#38; S.P.Y &#8211; Venus Prime aa Total Science, S.P.Y &#38; Lenzman &#8211; Narrow Margin [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2011/02/sthreleases070311.pdf">sthreleases070311</a></p>
<h2>New D&amp;B Releases</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/subtitlesuk007.jpg" alt="" /><br />
<strong>SUBTITLESUK007  &#8211;  Total Science &amp; S.P.Y / Total Science, S.P.Y &amp; Lenzman  &#8211;  Venus Prime / Narrow Margin  &#8211;  12&#8243; Vinyl </strong><br />
Three of the biggest names in D&amp;B join forces for Teebee’s Subitles label.</p>
<p>a Total Science &amp; S.P.Y &#8211; Venus Prime<br />
aa Total Science, S.P.Y &amp; Lenzman &#8211; Narrow Margin</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSUBTITLESUK007.mp3">Listen to sample of Venus Prime / Narrow Margin</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/inna-x002.jpg" alt="" /><br />
<strong>INNA-X002  &#8211;  Spirit  &#8211;  Disconnected / Clak  &#8211;  10&#8243; Vinyl </strong><br />
Pressed as a limited edition of only 300 copies on 10” transparent orange vinyl, featuring unique artwork by up and coming artist, 181. Inneractive Music brings you the second in it’s highly limited vinyl-only series from Spirit.  ‘Disconnected’ goes on a deep journey through revolving synths and striding subs before reaching it’s nervous climax, while ‘Clak’ goes a stage further through glitching rhythms and cavernous tones, riding underneath an echoing dubbed-out soundscape. This is music to listen as well as groove to.</p>
<p>a Spirit &#8211; Disconnected<br />
aa Spirit &#8211; Clak</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPINNA-X002.mp3">Listen to sample of Disconnected / Clak</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/suicide054.jpg" alt="" /><br />
<strong>SUICIDE054  &#8211;  Mindscape  &#8211;  Bounce / Dreamworld  &#8211;  12&#8243; Vinyl </strong><br />
Another release by another record label begs the same questions…..do we need this? What is it for?GOOD QUESTION…. were fucked if we know……….still……BOUNCE was on ANDY C’s nightlife 5 mix CD so we thought, shit we’d better get this out so you can consume it. Mindscape, if you don’t already know, and if you don’t then its YOUR fault, not ours, is from Eastern Europe and is very good.</p>
<p>a Mindscape &#8211; Bounce<br />
b Mindscape &#8211; Dreamworld</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSUICIDE054.mp3">Listen to sample of Bounce / Dreamworld</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/crit052.jpg" alt="" /><br />
<strong>CRIT052  &#8211;  Enei, Eastcolors &amp; Noel  &#8211;  Cracker / Danger Dance  &#8211;  12&#8243; Vinyl </strong><br />
Critical Music marches forward, tapping into yet more new talent for 2011 resulting in an absolutely filthy D&amp;B excursion that has had the likes of Andy C going ballistic for it. Hailing from Russia, Enei, who has already bagged himself an exclusive album deal with Critical, Eastcolors and Noel may be familiar with a few but with this release they look set to cement themselves in the collective consciousness of drum &amp; bass aficionados the world over. ‘Cracker’ is rough, rugged and very, very raw. Ultra-tech D&amp;B could be the term to use as the trio of producers come together to deliver what could possibly even be one of Critical’s biggest releases to date. Full of sick mid-ranges, snapping drums and sneaking subs, this one is cold, dry and full of funk that’ll have people full-on skanking around clubs until the early hours. Absolute gold. Enei then goes it alone on the more experimental ‘Danger Dance’, that intros with a sparse arrangement of stalking pads and fx that set the mood of unrest. In bounces a low-slung bass and it’s away we go on this gorgeously glitchy, 808-laden ride that sits perfectly alongside the likes of Rockwell and indeedCritical. DJ support from Andy C, Alix Perez, Friction, Icicle, Cyantific, Nu:tone, Logistics, Rockwell, Lenzman, Hype, Jubei, Ulterior Motive and more.</p>
<p>a Enei, Eastcolors &amp; Noel &#8211; Cracker<br />
b Enei &#8211; Danger Dance</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPCRIT052.mp3">Listen to sample of Cracker / Danger Dance</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/syndrome017.jpg" alt="" /><br />
<strong>SYNDROME017  &#8211;  Billain   &#8211;  Probes / Horus 8  &#8211;  12&#8243; Vinyl </strong><br />
Just imagine if you could take cells from any producer in the world and mix them up to create your own super producer who whould it be? Well if by any chance the combo you want would look something like, Spor, Phace, Noisia, Mayhem with a dash of Misanthrop then you&#8217;re in luck.. Cause that super producer is Billain. Hear his Vinyl debut here on Syndrome Audio with the astonishing tracks Probes &amp; Horus 8. Probes sounds like a mutant cyborg that&#8217;s reprogramming your brain with its razor sharp beats and unpredictable mid range. If you listen to this big time production when you know why we call him the super producer. Inspired by the greats of twisted funk and now ready to compete in the big game that is DnB. Horus 8 is trash in every sense of the word. Dirty festering bass lines roam around this track like buzzards circling a dead pray.. They wait until you can&#8217;t anymore and then strike to deliver the final blow.. Billain is a deadly producer you should keep your eyes on.. If you can&#8217;t hear it in this release then this kind of dnb just isn&#8217;t for you.</p>
<p>a Billain &#8211; Probes<br />
b Billain &#8211; Horus 8</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSYNDROME017.mp3">Listen to sample of Probes / Horus 8</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/fallout004.jpg" alt="" /><br />
<strong>FALLOUT004  &#8211;  Meth / Allied  &#8211;  Repulsive / Isomer  &#8211;  12&#8243; Vinyl </strong><br />
Heavy, rolling techno vibes on Fall Out&#8217;s fourth release. On the A side we welcome Meth, ex member of The Sect, who&#8217;s started to create an impressive career on his own collaborating with artists such as Audio and Raiden and releasing on a host of labels including the massive Subtitles, Renegade Hardware, Offkey and PRSPCT.On the flip, Brighton boys Allied keep the vibe going with a moody, rolling stepper perfect for the early hours of the morning to keep the party going.</p>
<p>a Meth &#8211; Repulsive<br />
b Allied  &#8211; Isomer</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPFALLOUT004.mp3">Listen to sample of Repulsive / Isomer</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/spun003ltd.jpg" alt="" /><br />
<strong>SPUN003LTD  &#8211;  Sinthetix / Corrupt Souls  &#8211;  Sars / From The Streets &#8211; Spun  &#8211;  12&#8243; Vinyl </strong><br />
Spun presents the neurofunk legends Synthetix &amp; Corrupt Souls! These artists were a big hype from 2003 &#8211; 2006 with their very own unique sound and caused mayhem in the scene on labels like Renegade Hardware, Obsessions, Freak, Black Sun Empire, Disturbed and many more.Spun came up with these 2 forgotten gems that still sound fresh. Neuro heads will love the freaky sound of the A-side with the unmistakable heavy stepping beat and neurotic synths. The vibe reminds us of the good old days while the flip will fit in every dj&#8217;s set with its heavy percussion, siren like sounds and heavy synth stabs! Still fresh!!  Only limited available, so grab it while you can..</p>
<p>a Sinthetix &#8211; Sars<br />
b Corrupt Souls &#8211; From The Streets</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSPUN003LTD.mp3">Listen to sample of Sars / From The Streets &#8211; Spun</a></p>
<p><br class="blank" /></p>
<h2>New D&amp;B  Promos</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/crit053.jpg" alt="" /><br />
<strong>CRIT053  &#8211;  Seba &amp; Paradox Ft. Kirsty Hawkshaw  &#8211;  The Light / As If  &#8211;  12&#8243; Vinyl </strong><br />
As we approach spring, the seasonal turn brings with it an uplifting release set to be essential listening for all the eardrums still recovering from the dance-floor damage committed in the darker months. This release hails from Seba and Paradox, no strangers to the d&amp;b circuit, as Critical Music outputs two stunning tracks prepping us for the warm sun-shining days to soon come. Courtesy of Kirsty Hawkshaw, ‘The Light’s beautiful vocals soothe away those frostbitten blues from former months; they swathe around blissful old-school piano keys, breaking through layers and rising over irresistibly smooth drum patterns. A deep bass-lineunexpectedly makes an appearance, underlining the evocative summertime goodness &#8211; with this aurally euphoric track you can almost taste the blue skies. Seba and Paradox dig deep underground and unleash the dirt on the flip with a jungle-tech tour de force in the shape of ‘As If’. An ominous intro erupts into coarse drum patterns, enveloped by dirty bass that’s just downright mean. A straight-up dance-floor box-ticker, this is a track of volcanic proportions. Beware the explosion!</p>
<p>a Seba &amp; Paradox Ft. Kirsty Hawkshaw &#8211; The Light<br />
b Seba &amp; Paradox &#8211; As If</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPCRIT053.mp3">Listen to sample of The Light / As If</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/recipe015.jpg" alt="" /><br />
<strong>RECIPE015  &#8211;  DBR UK  &#8211;  Dirty Passive / Magnesium  &#8211;  12&#8243; Vinyl </strong><br />
DBR UK are a Luton Collective who produce underground drum &amp; bass made from the soul and have recently launched their label Broken Audio.  We at Ingredients have been a fan of their music for a while, and were lucky to snap up these two tracks. “Dirty passive” has haunting strings, clean breaks &amp; awesome bass pressure, reminiscent of Commix, while “Magnesium” is sluggish, smokey and hypnotic. Ideal for late night listens and deeper than the ocean! dj support from Genotype, Marcus intalex, Doc scott, Lee, Blu Mar Ten and more.</p>
<p>a DBR UK &#8211; Dirty Passive<br />
b DBR UK &#8211; Magnesium</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPRECIPE015.mp3">Listen to sample of Dirty Passive / Magnesium</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/soulr046.jpg" alt="" /><br />
<strong>SOULR046  &#8211;  Marcus Intalex Ft. S.P.Y  &#8211;  Triband / Steady  &#8211;  12&#8243; Vinyl </strong><br />
Triband is the 1st of four tracks he has made with S.P.Y. and is aimed squarely at the dancefloor. Steady, on the other hand, is a classic &#8220;Marcus&#8221; self indulgent trip to Detroit and is one of the highlights on Dj Marky’s new mix compilation for the Fabric series. This first release for Marcus in over 18 Months is the lead up release to his much anticipated solo lp &#8220;21&#8243; which hits the stores in April 2011.</p>
<p>a Marcus Intalex Ft. S.P.Y &#8211; Triband<br />
b Marcus Intalex &#8211; Steady</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSOULR046.mp3">Listen to sample of Triband / Steady</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ysr001.jpg" alt="" /><br />
<strong>YSR001  &#8211;  Cooh &amp; Counterstrike / C-Netik &amp; Gancher &amp; Ruin  &#8211;  Crowd Surfer / Hammer  &#8211;  12&#8243; Vinyl </strong><br />
The heavyweight Portugal based Drum &amp; Bass promoter and crew, Yellow Stripe, begins a new era with the first release on its newly established label, Yellow Stripe Recordings. This is the first in a series of hard and powerful D&amp;B releases, featuring well known artists Counterstrike in collaboration with Cooh, delivering the anthemic &#8216;Crowd Surfer&#8217;, which showcases the trademark sound of the artists involved&#8230; an effort that&#8217;s sure to make dancefloors erupt. Upcoming young talents Gancher, Ruin and Yellow-Stripe member C-Netik follow it up with the monstrous &#8216;Hammer&#8217;, an ear-splitting mixture of bone shaking sounds that both Hardcore and Drum &amp; Bass heads can bang their heads to.</p>
<p>a Cooh &amp; Counterstrike  &#8211; Crowd Surfer<br />
b C-Netik &amp; Gancher &amp; Ruin &#8211; Hammer</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPYSR001.mp3">Listen to sample of Crowd Surfer / Hammer</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/rrt017.jpg" alt="" /><br />
<strong>RRT017  &#8211;  Random Movement / Mutt &amp; Calculon feat. Kevin King  &#8211;  Risk / Easy on the Motion  &#8211;  12&#8243; Vinyl </strong><br />
Rubik Records starts off 2011 with two tunes that have been turning heads and moving dancefloors, from North American Producers Random Movement, Mutt, and Calculon. Side A features &#8216;Risk&#8217; by Random Movement which has been receiving heavy DJ Support from the likes of Heist, Bailey, Crissy Criss, and Submorphics. This Florida based wunderkind recently released his debut album on Innerground to critical acclaim and still found time to get this smasher to us for his Rubik debut. One for the liquid crew and the jump up crowd! The B Side is much much deeper affair and Random Movement himself said &#8216;It&#8217;s the best tune I have heard in a year. &#8216;Kevin King lays down original vocals as only he can do on this collaboration &#8217;Easy on the Motion&#8217; between Canada&#8217;s Mutt and California&#8217;s Calculon. With LTJ Bukem supporting the tune, as well as Asides, Stunna, etc, this 12inch is not one that will leave your bag for some time.&#8217;</p>
<p>a Random Movement  &#8211; Risk<br />
b Mutt &amp; Calculon feat. Kevin King &#8211; Easy on the Motion</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPRRT017.mp3">Listen to sample of Risk / Easy on the Motion</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/fsrecs002.jpg" alt="" /><br />
<strong>FSRECS002  &#8211;  Counterstrike / Katharsys / Forbidden Society  &#8211;  Extreme Current Value remix / Redeemer   &#8211;  12&#8243; Vinyl </strong><br />
A : Counterstrike &amp; Forbidden Society &#8211; Extreme ( Current Value RMX )  A powerful half beat tune full of metal kicks, a masterpiece in the sense of drum editing. The tune turns into a stepper, that is even more intense and makes you wanna shake your head like at a metal concert. If you wanna destroy the dancefloor, this killer remix by Current Value is the right weapon of choice! B : Forbidden Society &amp; Katharsys &#8211; Redeemer. Straight up dancefloor orientated tune, the right stuff for a hard dnb set! Styles of both producers are combined perfectly in this tune &#8211; big bass, powerful snares, distorted recesses (reeces?), another killer to make the crowd go absolutely nuts, named Redeemer!</p>
<p>a Counterstrike &amp; Forbidden Society  &#8211; Extreme ( Current Value RMX )<br />
b Forbidden Society &amp; Katharsys &#8211; Redeemer</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPFSRECS002.mp3">Listen to sample of Extreme Current Value remix / Redeemer </a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/prspct013.jpg" alt="" /><br />
<strong>PRSPCT013  &#8211;  Donny   &#8211;  Crawler / Fiend  &#8211;  12&#8243; Vinyl </strong><br />
You may think.. what could PRSPCT release anymore to up the game? Easy.. Just give madman Donny enough time and he&#8217;ll create a beast that people never thought they would ever hear.. The first behemoth track is &#8216;Crawler&#8217;.. This one drills through crowds like a huge demonic worm. Feel it slippin and sliding across the lower bass regions.. Just to strike at you with its amen breaks when your guard is down. This infectious roller shows a face PRSPCT is known for.. Cold, destructive sounds like no other. Flip it over for &#8216;Fiend&#8217; In true Donny style he goes in like no other.. Sounding like a army of trash bin robots destroying the city brick by brick.. In true War of the Worlds fashion they run rampant without any regard for human life.. Donny fits the bill once again with a bigtime release crafted perfectly for PRSPCT.. Give General Thrasher another medal for this one!</p>
<p>a Donny  &#8211; Crawler<br />
b Donny &#8211; Fiend</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPPRSPCT013.mp3">Listen to sample of Crawler / Fiend</a></p>
<p><br class="blank" /></p>
<h2>D&amp;B  Restocks Vinyl</h2>
<hr />
<p><br class="blank" /> <strong>SIGLP003 &#8211; Calibre &#8211; Overflow (Vinyl Format) </strong> <br class="blank" /><br />
<strong>EXIT014 &#8211; Instra:mental &#8211; Thugtronik / Thugtronika </strong> <br class="blank" /><br />
<strong>RECIPE002 &#8211; Jubei &#8211; The Path </strong> <br class="blank" /><br />
<strong>P51UK019 &#8211; Nymfo &amp; Cern &#8211; Proton Pack / Off The Radar </strong> <br class="blank" /><br />
<strong>31R049 &#8211; Seba &#8211; Don’t You Love Me Anymore / Keep Me Waiting </strong> <br class="blank" /><br />
<strong>NOMIC002 &#8211; Riya &#8211; Seems Like / The Cycle Ft. Skream </strong> <br class="blank" /><br />
<strong>P51UK020 &#8211; Gridlok &amp; Dom / Gridlok &#8211; Reboot The System &#8211; Part 2 </strong> <br class="blank" /><br />
<strong>ZEN12276 &#8211; DJ Vadim &#8211; The Terrorist  (MIR Crew &amp; The Prototypes Remixes) </strong> <br class="blank" /></p>
<h2>New Bass Music releases</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/medi034.jpg" alt="" /><br />
<strong>MEDI034  &#8211;  Tunnidge  &#8211;  Dark Skies / Tribe  &#8211;  12&#8243; Vinyl </strong><br />
Straight off the back of his much talked about ‘7 Breaths’ released on Dj Distance’s ‘Chestplate’ label, Tunnidge steps back up to the DEEP MEDi roster with two fresh cuts ‘Dark Skies’ and ‘Tribe’. Keep an ear out for Tunnidge as his arsenal of dubs are fully loaded and he’s on the way up!Radio Support: Mistajam (1Xtra), Hatcha (Kiss) DJ Support: Mala (DMZ), Distance (Chestplate), Cyrus (Random Trio)</p>
<p>a Tunnidge &#8211; Dark Skies<br />
aa Tunnidge &#8211; Tribe</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPMEDI034.mp3">Listen to sample of Dark Skies / Tribe</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ramp041.jpg" alt="" /><br />
<strong>RAMP041  &#8211;  Bad Autopsy  &#8211;  Bad Autopsy EP  &#8211;  12&#8243; Vinyl </strong><br />
RAMP continues it&#8217;s tradition of uncovering new talent with new signing &#8211; Bad Autopsy. Little info has been given to us about this young London based talent, but his debut EP speaks volumes, cheekily landing somewhere between Grime &amp; Funky, with shades of Wild Pitch.</p>
<p>a1 Bad Autopsy &#8211; Rotpot<br />
a2 Bad Autopsy &#8211; Ginmixer<br />
b1 Bad Autopsy &#8211; Call Back</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPRAMP041.mp3">Listen to sample of Bad Autopsy EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/dva007.jpg" alt="" /><br />
<strong>DVA007  &#8211;  GuGu / Scratcha DVA  &#8211;  The Afro Cuban EP  &#8211;  12&#8243; Vinyl </strong><br />
The seventh release on DVA records comes from a young, unknown resident of Manchester named GuGu. Staying true to the DVA style, his two tracks are fine examples of todays hybrid Funky House scene, maintaing the 4 to the floor drum patterns whilst drawing on a wide range influences&#8230; and as it suggests in the EP&#8217;s title, is packed full of Cuban flava. Straight up music designed to make people dance. It wouldn&#8217;t be right to get a DVA release without a feature from the man himself, Rinse Fm&#8217;s Grimey Breakfast show host Mr Scratcha DVA. As a slight deviation from the norm &#8211; and in a way a return to the styles his earlier production &#8211; DVA lays down a heavyweight slice of synth laden half step, defiantely one to pull your dirty face too. Check it out and get back to us with your thoughts.</p>
<p>a GuGu &#8211; AC Riddim<br />
b1 GuGu &#8211; RockAByeBaby<br />
b2 Scratcha DVA &#8211; Still Born</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDVA007.mp3">Listen to sample of The Afro Cuban EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/saigon003.jpg" alt="" /><br />
<strong>SAIGON003  &#8211;  Gravious  &#8211;  Junction City EP  &#8211;  12&#8243; Vinyl </strong><br />
Saigon Recordings reaches release number 3, following on from the successful Orphan101 debut and recent Duffstep single. SAIGON003 signals the return to action by Scottish based producer Gravious who originally made a name for himself in the early years of now legendary label Hotflush Recordings.Junction City EP features three tracks of shiny, happy future funk with a distinct space-theme. The EP is currently receiving worldwide airplay and was recently listed in Kmag’s ‘Top 10 releases for January 2011’ &#8211; <a href="http://bit.ly/erwj0L" target="_blank">http://bit.ly/erwj0L </a><br />
What the DJ’s are saying:<br />
<strong>Laurent Garnier </strong><em>“Detroit sounding Dubstep!!! &#8211; Ohh yessss”</em><br />
<strong>Angel Molina (Tresor)</strong> “<em>Fantastic again from Saigon. Love Junction City and Lunar Module</em>”<br />
<strong>Marc Roberts (Fabric)</strong> “<em>Junction City is a winner. Will be finishing my NYE set with this</em>”<br />
<strong>Brendon Moeller</strong> “<em>Cool release. Supporting!</em>”<br />
<strong>XLR8R</strong> “<em>This is perhaps one of the most perfectly consistent EP’s I&#8217;ve heard in ages. The songs burst with creativity and fit logically next to each other. Excellent synths and programming all around. Gravious&#8217; bubbling, spacey tracks really hit the mark</em>”</p>
<p>a Gravious &#8211; Junction City<br />
b1 Gravious &#8211; Lodestone<br />
b2 Gravious &#8211; Lunar Module</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPSAIGON003.mp3">Listen to sample of Junction City EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hf026.jpg" alt="" /><br />
<strong>HF026  &#8211;  Sepalcure  &#8211;  Fleur EP  &#8211;  12&#8243; Vinyl </strong><br />
Following the release of their stunning summer debut EP ‘Love Pressure’, Sepalcure – a Brooklyn-based duo composed of Travis Stewart and Praveen Sharma – have announced their second EP featuring four brand new cuts, due for release in late January 2011 on Hotflush Recordings. Having produced for years individually as Machinedrum (LuckyMe) and Praveen (of Praveen &amp; Benoît), their new collaboration breathes a new life of its own, reflected in its distinctive, lush sonic warmth and a refreshing style of composition that is as equally fitting on the dancefloor as it is in the comfort of one’s home. The Fleur EP shows a progression of Sepalcure’s depth of field, weaving distant chords, soulful vocals, and organic rhythms into vibrant, immersive soundscapes, with echoes of house, techno, and dubstep within. Be it the gentle melodies of “Fleur”, the ascendant effervescence of “Your Love”, the relentless bass of “No Think”, or the suspending ambience of “Inside”, it is a sound that is unmistakably Sepalcure. Their live performances have been gaining steam over the last year, beginning with appearances at Unsound Festival, Dub War NYC, and The Bunker, followed by a live showcase at Portland’s Decibel Festival in September, they are set to embark on their first European tour with other Hotflush artists this December. They have also composed an original track in Darren Aronofsky’s new film Black Swan, in theatres starting December 2010.</p>
<p>a1 Sepalcure &#8211; Fleur<br />
a2 Sepalcure &#8211; Your Love<br />
b1 Sepalcure &#8211; No Think<br />
b2 Sepalcure &#8211; Inside</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHF026.mp3">Listen to sample of Fleur EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/thin16.jpg" alt="" /><br />
<strong>THIN16  &#8211;  Funckarma  &#8211;  Dubstoned 5 EP  &#8211;  12&#8243; Vinyl </strong><br />
As we&#8217;ve been stalking the Funckens for ten years now, after stumbling upon their parts series on DUB when we were still students, trekking religiously to the Sirius on weekends, eventually spending nights in bus shelters to assist to half a live in a school that only served wine, and trying to organise a bash with them in a squat that burned down a week before the bash, before finally inviting them to an exhibition closing party that incidentally marked the beginning of Thin Consolation, they seemed an obvious choice for a release for the tenth anniversary of UNREzT and the fifth of Thin Consolation. Having already graced Thin Consolation with an album in 2006 as Dif:use (with long-time partner Cor Bolten), this time we requested from them a 12&#8243; of a more step-ish inspiration, the fifth in the Dubstoned series, the previous editions having been released on Highpoint Lowlive, Ad Noiseam and Eat Concrete. In so many words, the Dubstoned series is the last major electronic musical genre to have appeared &#8211; Dubstep &#8211; to be given the special Funcken treatment: a dark and brooding, dub-flavoured electronica. Not for the faint hearted.  Mepeche is co-produced by Phinx, and Spectrum is a remix of a track by Eedl, released on the album &#8216;Everse&#8217;, on the Barcelona-based label spa.RK.</p>
<p>a1 Funckarma &#8211; Mepeche<br />
a2 Funckarma &#8211; Mako<br />
b1 Funckarma &#8211; Spectrum<br />
b2 Funckarma &#8211; Removal</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPTHIN16.mp3">Listen to sample of Dubstoned 5 EP</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hdb049.jpg" alt="" /><br />
<strong>HDB049  &#8211;  Funkystepz  &#8211; Fuller / Hurrican Riddim  &#8211;  12&#8243; Vinyl </strong><br />
Funkystepz are a collective of house producers from North London, with a show on Rinse FM and a string of self-released underground hits under their belts. They&#8217;re definitely some of the producers to watch out for this year. After a period of trial and testing on dubplate by DJs like Kode9 and Marcus Nasty, this first release for Hyperdub doesn&#8217;t mess about. ‘Fuller’ is a dancefloor destroyer of a very British vintage. Hard without being rigid, with a cold, elastic sense of melody that bounces and snaps around the midrange between the bass and snares. Tempered by an occasional organ stab, it&#8217;s one of those tracks that will lively up any club straight away, doing away with the forced euphoria of a lot of contemporary dance music, and instead honing the harder-to-master skill of energetic intensity and building anticipation. ‘Hurricane Riddim’ takes the listener through a number of contrasting moods simply but effectively. Opening with heavy orchestral stabs and military snares reminicent of classic grime, the addition of a complicated, snaking bassline gives the track a jump up feel, and the eight-bar aggression gives way to sections of orchestral calm and a sad but bouncy piano melody.</p>
<p>a Funkystepz &#8211; Fuller<br />
aa Funkystepz &#8211; Hurricane Riddim</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHDB049.mp3">Listen to sample of Hookid EP</a></p>
<p><br class="blank" /></p>
<h2>New Bass Music Promos</h2>
<hr />
<p><br class="blank" /> <img src="http://www.stholdings.co.uk/myspace/exit024.jpg" alt="" /><br />
<strong>EXIT024  &#8211;  Consequence  &#8211;  Snakes &amp; Skulls / Dub Bounce  &#8211;  10&#8243; Vinyl </strong><br />
After Consequence’s debut album on Exit as a virtually unknown producer with only a couple of releases to his name, he has blossomed into a much loved and highly regarded musician who’s compositions have that rare listen again quality. His work has been an integral part of the Autonomic movement over the past two years and will continue to be long into the future.With a recently completed second solo album and also a collaborative album project with friend Joe Seven under the alias ‘They live’ on the release schedule, Exit Records present this single as the first of a 10” series reminding us of his talent. On this 10” he turns his hand to the 140 bpm deep dub style and proves that his sound has no boundaries.‘Snakes &amp; Skulls’ As usual Consequence manages to mix calming ambience with vibrant drums to achieve that cinematic trait that he’s known for. Combining those elements with earth shaking sub bass he works up an organic sounding roots track that beats away with entrancing tribal energy.Unintelligible vocals flutter in and out with filtered drum effects and percussion creeps in and out which keeps the whole piece moving nicely.‘Dub Bounce’ is truly a remarkable insight into Consequences ability to create character and trigger emotion with his music. Drums and bass swing so hard they could break your neck Dilla style, whilst despairing atmospheres and odious sound effects wreak havoc on your sense of security like watching a horror flick on acid. Production quality and depth of sound are second to none which comes as standard with Consequence, but this track has it in abundance and is sometimes unfathomable. Its deep and its very dark, but also highly addictive so use with caution.</p>
<p>a Consequence &#8211; Snakes &amp; Skulls<br />
b Consequence &#8211; Dub Bounce</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPEXIT024.mp3">Listen to sample of Snakes &amp; Skulls / Dub Bounce</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/medi037.jpg" alt="" /><br />
<strong>MEDI037  &#8211;  V.I.V.E.K  &#8211;  Pulse / Roots  &#8211;  12&#8243; Vinyl </strong><br />
V.I.V.E.K drops his first single since his much talked about double pack ‘Feel It’ was released on DEEP MEDi in October 2010. ‘Pulse’ opens with V.I.V.E.K’s unmistakable dark, resounding, industrial production with layers of subbed out techno touches and efx. ‘Roots’ however on the flip lurches and twists over a deep cinematic melody, V.I.V.E.K on meditation vibes.<br />
Radio Support: Nihal (Radio 1), Benji B (Radio 1), Gilles Peterson (Radio 1), Youngsta (Rinse FM)<br />
DJ Support:  Mala (DMZ), Distance (Chestplate), Tunnidge , Cyrus, Hatcha,</p>
<p>a V.I.V.E.K &#8211; Pulse<br />
aa V.I.V.E.K &#8211; Roots</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPMEDI037.mp3">Listen to sample of Pulse / Roots</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/dot005.jpg" alt="" /><br />
<strong>DOT005  &#8211;  Duffstep  &#8211;  Getting To Sirius Remix EP #2  &#8211;  12&#8243; Vinyl </strong><br />
Accompanying the debut LP remix EP number 2 straddling the realms of dubstep, house and disco from an ever emerging pool of old and new guard. Remixes On the dub orientated EP with Mark E, Session Victim and Riley Reinhold. Duffstep’s debut album ‘Getting to Sirius’ is a heady potion laced with influences of dub and down tempo beats, winding through layers of melody and synths whilst vocals soften the blow providing a nice, warm and fuzzy edge to the thick slabs of sonic concrete. Though you won&#8217;t have to wait before a nice big bass-line knocks you down on your arse again.</p>
<p>a Duffstep &#8211; Your Touch (Mark E Remix)<br />
b1 Duffstep &#8211; Your Touch (Riley Reinhold Remix)<br />
b2 Duffstep &#8211; Your Touch (Session Victim Remix)</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDOT005.mp3">Listen to sample of Getting To Sirius Remix EP #2</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ibr006.jpg" alt="" /><br />
<strong>IBR006  &#8211;  Various Artists  &#8211;  Tax Haven II  &#8211;  12&#8243; Vinyl </strong><br />
The second &#8220;Tax Haven&#8221; EP from Iberian Records brings together three different producers operating from within the Lisbon and Barcelona bass enclaves for another varied selection of Bass&#8217;n'Groove flavours&#8230; First up sees Migrant (aka 23Hz) debut on the label with &#8220;Monolith&#8221;, a driving monster of a tune propelled by an amen break conjugated through a Kuduro drum pattern. The production comes fitted with extra heavy low end body pressure as standard, as we have come to expect from Migrant in his many guises, and the general vibe has a deep Tribal Jungle take on it. Floor shattering appeal here. On the 33rpm flip sees the return of Lisbon based brothers Octa Push with their &#8220;Legos&#8221; cut featuring K-Tronik. A result of &#8220;playing videogames surrounded by African masks&#8221;, the production brings a typically beat savvy attack oozing raw bashy energy, with synths and bleeps fighting all-comers. K-Tronik&#8217;s (legendery member of Portuguese Hip Hop duo Nigga Poison) brings tight creole verses to tell a cautionary tale of cocky philandering in the hardcore suburbs of Lisbon. Pure originality!Last up sees Cardopusher&#8217;s first release on the label with &#8220;Dembow Together&#8221;. Since moving from Caracas to Barcelona, Cardopusher has gradually progressed from mid range aggression towards a more Funky tropical vibe. Slowing down the bpms to a Funky jam Cardo takes a Reggaton beat pattern and whilst keeping the summertime vibes, forges something all together much more powerfully dirty with Techno/Electro stylings and the sounds of ancient analogue drum machines.</p>
<p>1 Migrant &#8211; Monolith<br />
2 Octa Push Ft. K-Tronik &#8211; Legos<br />
3 Cardopusher &#8211; Dembow Together</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPIBR006.mp3">Listen to sample of Tax Haven II</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/nonplus010.jpg" alt="" /><br />
<strong>NONPLUS010  &#8211;  Actress  &#8211;  Harrier ATTK / Gershwin  &#8211;  12&#8243; Vinyl </strong><br />
With a sound that no one can quite touch, nor classify, it comes as little surprise that an outside-the-box artist like Actress would come into the path of Autonomic. The mastermind behind the cult-worshipped Werk Discs (whose roster includes enigmatic producers Lone, Lukid and Zomby), Actress took the electronic spectrum into another direction entirely last year with ‘Splazsh.’ Released on Damon Albarn’s imprint Honest Jons, ‘Splazsh’ brought dynamic Hypercolour to the insular greyness that his ‘Hazyville’ album captured so well. After his acclaimed debut on Nonplus+ in 2010 – the astral ‘Machine And Voice’ EP, the intriguing artist returns to the label with ‘Gershwin / HarrierA bonafide classic to sit in the ranks alongside Cybotron, in comes a typically all-encompassing, textured four-on-the-floor stomper from Actress. A side: ‘Gershwin’ Conjures the bright metallics and intricate programming of a Ford workshop in a futuristic, sci-fi Detroit, but without the repetitive motion: no two bars are the same, and the track moves through so many colors and sounds it’s hard to keep up. Slamming with sharp, piercing lasers, roughly cut beats sit on a building melody that wraps itself around dreamscape New Order esque synths.aa) Actress  ‘Harrier ATTK’ brings back the smoky, blurriness of ‘Hazyville,’ with an especially hypnotic twist. It’s the kind of Actress track that makes a listener lose all sense of time and space: a head nodder that could stay on loop for days, where the smallest subtleties come out loudest. Equal parts sublime and austere, a simple melody loops as a clean bass drum hits gently, and tangible sounds crack in the background.</p>
<p>a Actress &#8211; Harrier ATTK<br />
aa Actress &#8211; Gershwin</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPNONPLUS010.mp3">Listen to sample of Harrier ATTK / Gershwin</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/hbr002.jpg" alt="" /><br />
<strong>HBR002  &#8211;  Optimum  &#8211;  Light Year / DS-10  &#8211;  12&#8243; Vinyl </strong><br />
Hum + Buzz return with their first release of 2011 from label co-founder Optimum. After releasing his debut EP &#8216;Max Power&#8217; for Planet Mu in 2010, contributing to the excellent Night Slugs Allstars Vol. 1 and Modeselektion Vol. 1 compilations, Optimum returns on Hum + Buzz with two sci-fi, dancefloor tracks. ‘Light Year’ is a 4X4 time travelling excursion through brass rhythms, dotted arpeggios and razor sharp percussion. Gangsta techno meets UK bass, a crossover that Optimum seems to be making his own. On the B side ‘DS10’, named after (and partly made on) the Korg software for the Nintendo DS, is a menacing march that progresses into the unknown. All superfluous elements are discarded; the track focuses squarely on the relentless bassline and unpredictable 808 drum pattern. With these minimal ingredients combined, DS10 is a certified sound system bomb!</p>
<p>a Optimum &#8211; Light Year<br />
aa Optimum &#8211; DS-10</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPHBR002.mp3">Listen to sample of Light Year / DS-10</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/duffdisco005.jpg" alt="" /><br />
<strong>DUFFDISCO005  &#8211;  Duff Disco  &#8211;  Catch Me Out / You Wish  &#8211;  12&#8243; Vinyl </strong><br />
It’s been a while, but what can we say, you want the best? You got the best. But you gots to wait, you gots to be patient.  So as Winter seeps away and the frost melts we at Duff Disco are getting ready for these sidewalk, hot summer nights, radio bout to blow, small talk under the lights, feel the heat wild and sweet,  Duff Disco returns with his peerless edit series clocking in at a number 5, yeah, a fist full of dollars, the five knuckle shuffle of releases.  Sticking to the slo and sexy formula ‘Catch Me Out ‘and ‘You Wish’ are two sultry jams signalling that spring is approaching and all the ladies will begin removing the layers and making the days instantly seem brighter.</p>
<p>a Duff Disco &#8211; Catch Me Out<br />
b Duff Disco &#8211; You Wish</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPDUFFDISCO005.mp3">Listen to sample of Catch Me Out / You Wish</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/wncl004.jpg" alt="" /><br />
<strong>WNCL004  &#8211;  Knowing Looks  &#8211;  Abandoned Skip / Last Kiss At The Plains Hotel  &#8211;  10&#8243; Vinyl </strong><br />
KNOWING LOOKS aka Toronto based producer Jason Hopfner, records for Musique Risquee, is the co-founder of Grain Records and is a welcome addition to the WNCL stable. ABANDONED SKIP is an unashamed dancefloor killer with it’s hard as hell 2-step beats, irresistible shuffle, swathes of funky electronics and perfectly placed rebel-rousing vocal chants. LAST KISS AT THE PLAINS HOTEL, an epic tale of love and loss, displays a mastery of cut-up production and arrangement that nods as much to Bacharach and Mantovani as it winks to Todd Edwards and Akufen.<br />
<strong>2562 / A MADE UP SOUND</strong> “<em>The A Side kicks ass &#8211; def playing this one</em>”.<br />
<strong>BEN UFO</strong> “<em>The B side is the one &#8211; really beautiful</em>”</p>
<p>a Knowing Looks &#8211; Abandoned Skip<br />
b Knowing Looks &#8211; Last Kiss At The Plains Hotel</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPWNCL004.mp3">Listen to sample of Abandoned Ship / Last Kiss At The Plains Hotel</a></p>
<p><br class="blank" /><br />
<img src="http://www.stholdings.co.uk/myspace/ppro14vsx.jpg" alt="" /><br />
<strong>PPRO14VSX  &#8211;  Photek  &#8211;  Avalanche / 101  &#8211;  12&#8243; Vinyl </strong><br />
Full colour sleeve pressed on 180 gram Vinyl. Regarded by many as the finest electronic producer of his generation, the mysterious LA-based Photek enjoyed considerable success throughout the 90’s and into the new millennium with his own mutant breed of jungle and drum’n’bass. After a four-year hiatus from releasing music (and just over ten years since his last LP ‘Solaris’), the legendary Photek is back with a new sound and brand new 4-track EP – an occasion definitely worth the wait. Never one to stand still, Photek’s enviable reputation has been built not just on his ability to inspire both his fans and peers over the years through his productions but also through his knack of reinventing his sound time and time again. With his early work (under a variety of aliases) proving hugely popular in clubs, it wasn’t until ’97 when he released his now-classic debut album ‘Modus Operandi’ that he truly arrived, defying both his existing fan base and the Jungle scene as he pioneered a new alternative to the big room rollers that defined the era at that time. Three years later he surprised again, embracing Chicago acid-house and techno for his second artist album ‘Solaris’ in 2000, working with the brilliant Robert Owens on the classic single ‘Mine To Give’. Further EP’s followed after the turn of the millennium, as well as a number of film score credits (including The Matrix), but in 2011 he has once again shifted the gears, re-inspired by UK bass music and the current crop of young producers – Photek has a new sound to share with the world.Multiple Radio Plays by: Benji B, Annie Mac, Rob Da Bank, Mistajam, Nick Grimshaw, Greenmoney, Jon Kennedy.</p>
<p>a Photek &#8211; Avalanche<br />
aa Photek &#8211; 101</p>
<p><a href="http://www.stholdings.co.uk/cat/soundclip/SOUNDCLIPPPRO14VSX.mp3">Listen to sample of Avalanche / 101</a></p>
<p><br class="blank" /></p>
<h2>Bass Music Restocks CD</h2>
<hr />
<p><br class="blank" /> <strong>SKULLCD001 &#8211; Shackleton / Appleblim / Gatekeeper &#8211; Soundboy Punishments </strong> <br class="blank" /><br />
<strong>SKULLCD002 &#8211; Shackleton / Appleblim &amp; Peverelist &#8211; Soundboy’s Gravestone Gets Desecrated By Vandals </strong> <br class="blank" /></p>
<h2>Bass Music Vinyl Restocks</h2>
<hr />
<p><br class="blank" /> <strong>RNG001 &#8211; Loefah &#8211; It’s Yours </strong> <br class="blank" /><br />
<strong>DRUNK010 &#8211; Peverelist &#8211; Clunk Click Every Trip </strong> <br class="blank" /><br />
<strong>KGO001 &#8211; Boxcutter &amp; Kinnego Flux &#8211; A Familiar Sound </strong> <br class="blank" /><br />
<strong>SWAMP002 &#8211; Skream &#8211; Repercussions Of A Razor Blade </strong> <br class="blank" /><br />
<strong>DRUNK014 &#8211; Peverelist &#8211; Jarvik Mindstate (3&#215;12 Vinyl LP) </strong> <br class="blank" /><br />
<strong>MEDI023 &#8211; V.I.V.E.K &#8211; Kulture / Meditation Rock </strong> <br class="blank" /><br />
<strong>BLR005 &#8211; Brackles &amp; Shortstuff feat. Terrible Shock &#8211; Good Foundations </strong> <br class="blank" /><br />
<strong>CNDNT001 &#8211; Jamie Woon &#8211; Night Air / Night Air Ramadanman Refix </strong> <br class="blank" /><br />
<strong>NMBRS11 &#8211; Roska &amp; Untold &#8211; Myth </strong> <br class="blank" /><br />
<strong>BLKBTR003 &#8211; Marco Del Horno &amp; DJ Swerve &#8211; Ho! Riddim ft. P Money </strong> <br class="blank" /><br />
<strong>HEK010 &#8211; Breton &#8211; Counter Balance EP </strong> <br class="blank" /><br />
<strong>RNG011 &#8211; The Others &amp; Distinction / The Others &#8211; Disko / Under_Score </strong> <br class="blank" /><br />
<strong>NMBRS7 &#8211; Slackk  &#8211; Theme EP </strong> <br class="blank" /><br />
<strong>NMBRS3  &#8211; Taz  &#8211; Gold Tooth Grin </strong> <br class="blank" /></p>
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		<item>
		<title>Joy O &#8211; Wade In / Jels [HF027] Hotflush Recordings</title>
		<link>http://www.stholdings.co.uk/2011/02/17/joy-o-wade-in-jels-hf027-hotflush-recordings/</link>
		<comments>http://www.stholdings.co.uk/2011/02/17/joy-o-wade-in-jels-hf027-hotflush-recordings/#comments</comments>
		<pubDate>Thu, 17 Feb 2011 11:01:21 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[dubstep]]></category>
		<category><![CDATA[hf027]]></category>
		<category><![CDATA[hotflush]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[hyph mngo]]></category>
		<category><![CDATA[jels]]></category>
		<category><![CDATA[joy]]></category>
		<category><![CDATA[joy o]]></category>
		<category><![CDATA[orbison]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[wade in]]></category>

		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3394</guid>
		<description><![CDATA[Since the release of his debut “Hyph Mngo” that swept the global dance music world in 2009, British producer Peter O’Grady (aka Orbison) makes his return on Hotflush Recordings as Joy O in 2011.]]></description>
			<content:encoded><![CDATA[<p>Since the release of his debut “Hyph Mngo” that swept the global dance music world in 2009, British producer Peter O’Grady (aka Orbison) makes his return on Hotflush Recordings as Joy O in 2011.</p>
<p>These two productions take a more straightforward approach, toeing along the lines of classic house music, infused with this talented producer’s own signature style, weaving rolling acidic basslines in “Wade In” and uplifting melodies in “Jels” and over shuffling Roland drums and blissful atmospherics.</p>
<p><img class="alignnone size-full wp-image-3393" title="joyorbison" src="http://www.stholdings.co.uk/wp-content/uploads/2011/02/joyorbison.jpg" alt="" width="330" height="220" /><br />
<em>Joy O</em></p>
<p><em><img class="alignnone size-full wp-image-3392" title="hf027" src="http://www.stholdings.co.uk/wp-content/uploads/2011/02/hf027.jpg" alt="" width="200" height="200" /></em></p>
<p><strong>HF027<br />
Joy O</strong><br />
a) Wade In<br />
aa) Jels<em><br />
</em></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="100%" height="81" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10688833&amp;show_comments=false&amp;auto_play=false&amp;color=000000" /><embed type="application/x-shockwave-flash" width="100%" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F10688833&amp;show_comments=false&amp;auto_play=false&amp;color=000000" allowscriptaccess="always"></embed></object> <span><a href="http://soundcloud.com/stholdings/joy-o-wade-in-jels-hf027">Joy O &#8211; Wade In / Jels [HF027] Hotflush Recordings</a> by <a href="http://soundcloud.com/stholdings">stholdings</a></span></p>
<p><a href="http://www.hotflushrecordings.com/" target="_blank">www.hotflushrecordings.com</a></p>
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		<item>
		<title>Hotflush Recordings present &#8220;BACK AND 4TH&#8221;</title>
		<link>http://www.stholdings.co.uk/2011/02/03/hotflush-recordings-present-back-and-4th/</link>
		<comments>http://www.stholdings.co.uk/2011/02/03/hotflush-recordings-present-back-and-4th/#comments</comments>
		<pubDate>Thu, 03 Feb 2011 12:03:57 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[2562]]></category>
		<category><![CDATA[back and 4th]]></category>
		<category><![CDATA[boddika]]></category>
		<category><![CDATA[boxcutter]]></category>
		<category><![CDATA[dbridge]]></category>
		<category><![CDATA[flatydl]]></category>
		<category><![CDATA[hfcd005]]></category>
		<category><![CDATA[hflp005]]></category>
		<category><![CDATA[hotflush]]></category>
		<category><![CDATA[james blake]]></category>
		<category><![CDATA[joy orbison]]></category>
		<category><![CDATA[mount kimbie]]></category>
		<category><![CDATA[pangaea]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[roska]]></category>
		<category><![CDATA[Scuba]]></category>
		<category><![CDATA[sepalcure]]></category>
		<category><![CDATA[untold]]></category>

		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3340</guid>
		<description><![CDATA[With dubstep's big push into the mainstream, stirring up all manner of hybrids, variants and mutations, it's worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception.]]></description>
			<content:encoded><![CDATA[<p>With dubstep&#8217;s big push into the mainstream, stirring up all manner of hybrids, variants and mutations, it&#8217;s worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception.</p>
<p>Paul Rose, aka Scuba, and his Hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. Putting out key tunes by the core pioneers of dubstep, but also by true outliers like Mount Kimbie, Joy Orbison and Sepalcure, Hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion.</p>
<p>Joining the UK underground to the deep-rooted techno culture of Berlin, where Rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. So next time you hear someone talking about “post-” this or “future-” that, consider that maybe the times are just catching up with Hotflush.</p>
<p>BACK AND 4TH features ten brand new exclusive tracks from bass music’s most innovative producers including: dBridge, Roska, Boddika and FaltyDL as well as a collection of essentials from Hotflush’s catalogue with tracks and remixes from James Blake, Untold, Pangaea, 2562 and more.</p>
<p>The compilation is presented in double-CD and digital download formats, as well as a triple 12” vinyl release of the first disc.﻿</p>
<p><img class="alignnone size-full wp-image-3339" title="hfcd005" src="http://www.stholdings.co.uk/wp-content/uploads/2011/02/hfcd005.jpg" alt="" width="200" height="200" /></p>
<p><strong>HFCD005 / HFLP005<br />
Various Artists<br />
BACK AND 4TH</strong><br />
<strong>Formats</strong>: 2xCD / 3&#215;12&#8243; / Digital<br />
<strong>Release date</strong>: 4th April 2011</p>
<p><strong>Tracklist</strong>:</p>
<p><strong>Disc One </strong><br />
01. Sepalcure: Taking You Back<br />
02. Boxcutter: LOADtime<br />
03. Boddika: Warehouse<br />
04. dBridge: Knew You Were The 1<br />
05. Scuba: Feel It<br />
06. FaltyDL: Regret<br />
07. Sigha: Fold<br />
08. George FitzGerald: We Bilateral<br />
09. Incyde: Axis<br />
10. Roska: Measureless</p>
<p><strong>Disc Two</strong><br />
01. Mount Kimbie: Sketch on Glass<br />
02. Scuba: Twitch (Jamie Vex&#8217;d Remix)<br />
03. Joy Orbison: Hyph Mngo<br />
04. Mount Kimbie: Maybes (James Blake Remix)<br />
05. Sigha: Expansions<br />
06. Untold: Just For You (Roska Remix)<br />
07. Scuba: Tense<br />
08. Untold: Sweat<br />
09. Pangaea: Bear Witness<br />
10. TRG &amp; Dub U: Losing Marbles (2562 Remix)</p>
<p><a href="http://www.hotflushrecordings.com" target="_blank">www.hotflushrecordings.com</a><br />
<a href="http://soundcloud.com/hotflush" target="_blank">soundcloud.com/hotflush</a><br />
<a href="http://www.facebook.com/HotflushUK" target="_blank">www.facebook.com/HotflushUK</a></p>
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		<title>Sepalcure &#8220;Fleur EP&#8221; Official Promo Video &amp; Info</title>
		<link>http://www.stholdings.co.uk/2010/12/15/sepalcure-fleur-ep-official-promo-video-info/</link>
		<comments>http://www.stholdings.co.uk/2010/12/15/sepalcure-fleur-ep-official-promo-video-info/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 15:28:01 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[video]]></category>
		<category><![CDATA[benoit]]></category>
		<category><![CDATA[detroit]]></category>
		<category><![CDATA[dub]]></category>
		<category><![CDATA[dubstep]]></category>
		<category><![CDATA[fleur]]></category>
		<category><![CDATA[fleur ep]]></category>
		<category><![CDATA[hf026]]></category>
		<category><![CDATA[hotflush]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[machinedrum]]></category>
		<category><![CDATA[praveen]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[sepalcure]]></category>
		<category><![CDATA[techno]]></category>

		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3144</guid>
		<description><![CDATA[Sepalcure’s combination of love for bass and 90's house acapellas is the culmination of a cathartic two week collaboration between Travis Stewart (Machinedrum) and Praveen Sharma (Praveen &#038; Benoît). Their mix of tribal dub, house and two step beats works equally well for both late nights in the club and rainy, introspective nights at home.]]></description>
			<content:encoded><![CDATA[<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="400" height="240" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=16857830&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=1&amp;color=00ADEF&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" /><embed type="application/x-shockwave-flash" width="400" height="240" src="http://vimeo.com/moogaloop.swf?clip_id=16857830&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=1&amp;color=00ADEF&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><a href="http://vimeo.com/16857830">Sepalcure — Fleur EP (Official Promo)</a> from <a href="http://vimeo.com/sougwen">sougwen</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>Sepalcure’s combination of love for bass and 90&#8242;s house acapellas is the culmination of a cathartic two week collaboration between Travis Stewart (Machinedrum) and Praveen Sharma (Praveen &amp; Benoît). Their mix of tribal dub, house and two step beats works equally well for both late nights in the club and rainy, introspective nights at home. Detroit techno chords cut through wooden beats, neon synths and dubbed out atmospherics.</p>
<p><img class="alignnone size-full wp-image-3142" title="sepalcure" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/sepalcure.jpg" alt="" width="350" height="232" /><br />
<em>Sepalcure</em></p>
<p>Sepalcure’s second EP for Scuba&#8217;s Hotflush Recordings is gearing up for a release in January 2011, this video will give you a sneak peek into the sound and art direction you can expect.</p>
<p><img class="alignnone size-full wp-image-3143" title="hf026" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/hf026.jpg" alt="" width="200" height="200" /></p>
<p><strong>HF026<br />
Sepalcure<br />
Fleur EP</strong><br />
a1) Fleur<br />
a2) Your Love<br />
b1) No Think<br />
b2) Inside</p>
<p><strong>Due to be released on 1&#215;12&#8243; Vinyl / Digital on January 31st 2011.</strong></p>
<p><a href="http://www.sepalcure.com" target="_blank">www.sepalcure.com</a><br />
<a href="http://www.hotflushrecordings.com" target="_blank">www.hotflushrecordings.com</a></p>
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		<title>End of Year reviews: DJ Mag &#8211; Best of British Poll 2010</title>
		<link>http://www.stholdings.co.uk/2010/12/15/end-of-year-reviews-dj-mag-best-of-british-poll-2010/</link>
		<comments>http://www.stholdings.co.uk/2010/12/15/end-of-year-reviews-dj-mag-best-of-british-poll-2010/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 11:10:02 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[dj mag]]></category>
		<category><![CDATA[doc daneeka]]></category>
		<category><![CDATA[hemlock]]></category>
		<category><![CDATA[Hessle Audio]]></category>
		<category><![CDATA[hotflush]]></category>
		<category><![CDATA[ikonika]]></category>
		<category><![CDATA[james blake]]></category>
		<category><![CDATA[mount kimbie]]></category>
		<category><![CDATA[ptn]]></category>
		<category><![CDATA[roska]]></category>
		<category><![CDATA[Scuba]]></category>

		<guid isPermaLink="false">http://www.stholdings.co.uk/?p=3106</guid>
		<description><![CDATA[DJ Mag article &#8211; Best of British/ Nominees: Best DJ: Ikonika (Hum Buzz) Best Producer: Roska (Roska Kick &#38; Snares) Best Dance Single: James Blake :CMYK” (R&#38;S) Best Compilation: Scuba “Substance: (Hotflush Recordings) Best Live Act: Mount Kimbie (Hotflush Recordings) Best Breakthrough DJ: Doc Daneeka (PTN) Best Breakthrough Prodcuer: James Blake (R&#38;S / Hessle Audio [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/djmag.jpg"><img class="alignnone size-full wp-image-3130" title="djmag" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/djmag.jpg" alt="" width="145" height="72" /></a></p>
<p><a href="http://www.djmag.com/bestofbritish/" target="_blank">DJ Mag article &#8211; Best of British/</a></p>
<p><strong>Nominees:</strong><br />
<a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/ikonika.jpg"><img class="alignnone size-thumbnail wp-image-3121" title="ikonika" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/ikonika-150x150.jpg" alt="" width="150" height="150" /></a><br />
Best DJ: Ikonika (Hum Buzz)</p>
<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/roska.jpg"><img class="alignnone size-thumbnail wp-image-3125" title="roska" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/roska-150x150.jpg" alt="" width="150" height="150" /></a><br />
Best Producer: Roska (Roska Kick &amp; Snares)</p>
<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/James-Blake.jpg"><img class="alignnone size-thumbnail wp-image-3123" title="James-Blake" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/James-Blake-150x150.jpg" alt="" width="150" height="150" /></a><br />
Best Dance Single: James Blake :CMYK” (R&amp;S)</p>
<p><img src="http://www.stholdings.co.uk/myspace/ostgutcd11.jpg" alt="" /><br />
Best Compilation: Scuba “Substance: (Hotflush Recordings)</p>
<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/Mount-Kimbie.jpg"><img class="alignnone size-thumbnail wp-image-3124" title="Mount-Kimbie" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/Mount-Kimbie-150x150.jpg" alt="" width="150" height="150" /></a><br />
Best Live Act: Mount Kimbie (Hotflush Recordings)</p>
<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/docdaneeka.jpg"><img class="alignnone size-thumbnail wp-image-3122" title="docdaneeka" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/docdaneeka-150x150.jpg" alt="" width="150" height="150" /></a><br />
Best Breakthrough DJ: Doc Daneeka (PTN)</p>
<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/James-Blake.jpg"><img class="alignnone size-thumbnail wp-image-3123" title="James-Blake" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/James-Blake-150x150.jpg" alt="" width="150" height="150" /></a><br />
Best Breakthrough Prodcuer: James Blake (R&amp;S / Hessle Audio / Hemlock / Brain Math)</p>
<p><a href="http://www.stholdings.co.uk/wp-content/uploads/2010/12/PTN_logo.jpg"><img class="alignnone size-full wp-image-3028" title="PTN_logo" src="http://www.stholdings.co.uk/wp-content/uploads/2010/12/PTN_logo.jpg" alt="" width="150" height="150" /></a><br />
Best Record Label: PTN</p>
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